人間池塘 | The Earthly Pond

人間池塘 | The Earthly Pond

2021/03/25
2021/07/04
張大千、文人與荷花藝術大展<br><b>Artworks of Lotus by Chang Dai-Chien and Other Artists</b><br>
展覽頁面呈現形式
橫式
策展者
佛光山佛陀紀念館
國立歷史博物館
林秋芳、陳勇成
展覽封面
df1b77170a747493047d78fb02f64ff7
展覽資料
{ "front": { "id": "front", "type": "front", "sortable": false, "bgObj": { "oid": "750b5c01dc653b5748404ae4f50d044e", "fileType": "image", "fileURI": "https://openmuseum.tw/files/muse_portal/muse_styles/w1024/mcode/df1b77170a747493047d78fb02f64ff7.jpg?itok=muxthEnE", "level": "bg", "title": "墨荷 | Lotus in Ink", "desc": "張大千(1899–1983),原名張正權,號大千,別號大千居士,四川內江人。其精鍳別,富收藏,善詩文書畫與金石篆刻。 本幅細筆勾勒朵朵荷花,造型俯仰生姿,荷葉濃墨渲染,肌理清晰。全畫既表現出夏日的荷塘風情,亦見筆墨淋漓盡致與豐富變化。款識:白板小橋通碧塘,無欄無檻鏡中央。野香留客晚還立,三十六鷗世界涼。乙巳二月望日,子杰四弟自歐洲視予巴西瀕行,為寫此。爰。\r\n鈐印:大風堂(朱文)。乙巳(朱文)。三千(白文)。大千父(朱文)", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/df1b77170a747493047d78fb02f64ff7.jpg?itok=-exxVyhn", "thumbMediumURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_medium/mcode/df1b77170a747493047d78fb02f64ff7.jpg?itok=D7118XLO", "thumbBigURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_big/mcode/df1b77170a747493047d78fb02f64ff7.jpg?itok=fyEZ11YH", "background": "https://openmuseum.tw/files/muse_portal/muse_styles/w1920/mcode/df1b77170a747493047d78fb02f64ff7.jpg?itok=CiP0ZF7F", "mfid": "df1b77170a747493047d78fb02f64ff7", "fileCreator": "張大千 | Chang, Dai-Chien", "rights": "國立歷史博物館", "rightsLogo": "https://openmuseum.tw/files/muse_portal/styles/square_thumbnail_100/public/default_rights/memder_non-01.png?itok=DszBk5va", "fileLicence": "著作權利所有-可用於本站提供的服務", "fileDisableLink": 0, "fileOversize": false }, "title": "人間池塘 | The Earthly Pond", "desc": "張大千、文人與荷花藝術大展<br><b>Artworks of Lotus by\nChang Dai-Chien and Other Artists</b><br>", "textColor": "white", "weight": 0 }, "quote-c4um1fl2r1": { "id": "quote-c4um1fl2r1", "type": "quote", "sortable": true, "weight": 1, "desc": "<span>佛光山佛陀紀念館與國立歷史博物館,並邀請輔仁大學博物館所協力策劃,以豐富的荷花主題典藏作品於佛館展出,同時締結友好博物館,為兩館合作再創新的里程與意義。本展集合了自清代到近百年名家的荷花作品,總計逾50位名家70餘件的荷花一起參與展出,以寫意、工筆、水墨、油畫、水彩等不同技法展現荷花之美。在南風拂面的五月,以此慶祝佛陀聖誕及518<span>國際博物館日,炎炎夏日,也賞荷雅事,一覽近代文人畫荷之風采。<br></span></span>The exhibition is put up on display at the Fo Guang Shan Buddha Museum, and&nbsp;features 70 paintings of the lotus by modern artists and collected by both museums. These artworks showcase the beauty of the lotus in Chinese and Western painting styles from the late Qing dynasty to the present day, using different techniques such as freehand, brushwork, oil painting, and watercolor. The artists involved include Wu Chang-Shuo, Chang Dai-Chien, Pu Xin-Yu, Wang Zhen, Shen Yao-Chu, Wu Ping, Zheng Man-Qing, Chin Chin-Po, Au Ho-Nien, Huang Lui-Sang, Chung Chen-Sun, Li Chi-Mao, Huang Kuang-Nan, Jiang Ming-Xian, San Yu, Guan Zhi-Zhong, Hsi Mu-jung, Liang Dan-Feng. These paintings show how the lotus is being portrayed by both traditional and contemporary painters through a myriad of forms and sentimental expressions." }, "theme-z4cs57rg6c": { "id": "theme-z4cs57rg6c", "type": "theme", "sortable": true, "primaryObj": { "oid": "036f4dd43f8606bf05a54c7406a8e78e", "fileType": "image", "fileURI": "https://openmuseum.tw/files/muse_portal/muse_styles/w1024/mcode/e09054d40195c05044ca06468dde6d10.jpg?itok=Qx-lt7zO", "level": "primary", "title": "潑墨荷花 | Lotus in Splashed-Ink Style", "desc": "張大千(1899–1983),原名張正權,號大千,別號大千居士,四川內江人。其精鍳別,富收藏,善詩文書畫與金石篆刻。 本幅潑墨與潑彩法大片渲染,幾不視物象,僅微用墨筆點寫花瓣水草,水氣瀰漫躍然紙上。款識:多謝浣紗人未折,雨中留得蓋鴛鴦。爰翁。\r\n鈐印:乙巳(朱文)。大千惟印大年(朱文)", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/e09054d40195c05044ca06468dde6d10.jpg?itok=UwSFDwe4", "thumbMediumURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_medium/mcode/e09054d40195c05044ca06468dde6d10.jpg?itok=SEbMOktb", "thumbBigURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_big/mcode/e09054d40195c05044ca06468dde6d10.jpg?itok=b1lYQ9dN", "mfid": "e09054d40195c05044ca06468dde6d10", "fileCreator": "張大千 | Chang, Dai-Chien", "rights": "國立歷史博物館", "rightsLogo": "https://openmuseum.tw/files/muse_portal/styles/square_thumbnail_100/public/default_rights/memder_non-03.png?itok=h0rkcAOw", "fileLicence": "著作權利所有-可用於本站提供的服務", "fileDisableLink": 0, "fileOversize": false, "background": "https://openmuseum.tw/files/muse_portal/muse_styles/w1920/mcode/e09054d40195c05044ca06468dde6d10.jpg?itok=OF9yuW8q" }, "title": "大千風采 | Master Dai-Chien and the Da Feng Tang Studio", "desc": "<span><br>張大千先生從小學畫及書畫鑑賞,年輕時昆仲於上海成立畫齋 「大風堂」。大千先生長年吸取各家之長進而融合一體,在畫壇素 有「五百年來一大千」之封號。大千先生識見深廣,為人豪邁,畫作呈現出一種磅礡之氣,詩、 書、畫、金石並進,終能自成一家之格。潑墨原是中國畫的技法之 一,須大筆飽飲水墨,以高速度落紙,一氣呵成。晚期張大千借傳統潑墨之法始於荷花,後及於山水,技法上復活 了古代的潑墨,更用同法嘗試潑彩,為我國傳統畫法延展了新的一 步,並成為大風堂揮灑畫風之典型。大風堂門因大千之名享譽畫壇,從上海、四川、香港、巴西到臺 灣各個時期所收門生為數甚多,較為知名者包括孫雲生、孫家勤、 何海霞、李秋君、匡仲英等等,形成大風堂畫派體系。Chang Dai-Chien studied painting and calligraphy at a young age and established a painting studio named “Da Feng Tang” in Shanghai in his youth. Chang integrated the essences of various painting schools and has been honored with the title “Master of 500 Years” in the art circle.With his broad knowledge and bold personality, his paintings show a majestic quality in a unique style that integrates elements of poetry, calligraphy, and painting. Splashed ink is a technique in Chinese painting, whereby the artist uses a large brush to dip ink, and then paint the objects swiftly in one single stroke. In his late years, Chang painted lotuses using such a technique, reviving the traditional technique while experimenting the technique with colors. This later became a hallmark of the Da Feng Tang Studio.The Da Feng Tang Studio became renowned in the art circle under the influence of Chang. It has nurtured many students from Shanghai, Sichuan, Hong Kong, Brazil, and Taiwan in various periods.<div><br></div></span>", "weight": 2 }, "basic-xqn2ngsmrv": { "id": "basic-xqn2ngsmrv", "type": "basic", "sortable": true, "primaryObj": { "oid": "750b5c01dc653b5748404ae4f50d044e", "fileType": "image", "fileURI": "https://openmuseum.tw/files/muse_portal/muse_styles/w1024/mcode/df1b77170a747493047d78fb02f64ff7.jpg?itok=muxthEnE", "level": "primary", "title": "墨荷 | Lotus in Ink", "desc": "張大千(1899–1983),原名張正權,號大千,別號大千居士,四川內江人。其精鍳別,富收藏,善詩文書畫與金石篆刻。 本幅細筆勾勒朵朵荷花,造型俯仰生姿,荷葉濃墨渲染,肌理清晰。全畫既表現出夏日的荷塘風情,亦見筆墨淋漓盡致與豐富變化。款識:白板小橋通碧塘,無欄無檻鏡中央。野香留客晚還立,三十六鷗世界涼。乙巳二月望日,子杰四弟自歐洲視予巴西瀕行,為寫此。爰。\r\n鈐印:大風堂(朱文)。乙巳(朱文)。三千(白文)。大千父(朱文)", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/df1b77170a747493047d78fb02f64ff7.jpg?itok=-exxVyhn", "thumbMediumURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_medium/mcode/df1b77170a747493047d78fb02f64ff7.jpg?itok=D7118XLO", "thumbBigURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_big/mcode/df1b77170a747493047d78fb02f64ff7.jpg?itok=fyEZ11YH", "mfid": "df1b77170a747493047d78fb02f64ff7", "fileCreator": "張大千 | Chang, Dai-Chien", "rights": "國立歷史博物館", "rightsLogo": "https://openmuseum.tw/files/muse_portal/styles/square_thumbnail_100/public/default_rights/memder_non-04.png?itok=gq-PTcKL", "fileLicence": "著作權利所有-可用於本站提供的服務", "fileDisableLink": 0, "fileOversize": false, "background": "https://openmuseum.tw/files/muse_portal/muse_styles/w1920/mcode/df1b77170a747493047d78fb02f64ff7.jpg?itok=CiP0ZF7F" }, "title": "墨荷 | Lotus in Ink", "desc": "<span>張大千Chang Dai-Chien<br>紙本 水墨<br>148.1 x206.4 cm<br>1965<br>國立歷史博物館典藏&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;<br>款識:白板小橋通碧塘,無欄無檻鏡中央。野香留客晚還立,三十六鷗世界涼。乙巳二月望日,子杰四弟自歐洲視予巴西瀕行,為寫此。爰。鈐印:大風堂(朱文)。乙巳(朱文)。三千(白文)。大千父(朱文)<br>張大千(1899-1983),名爰,原名張正權,號大千,別號大千居士,四川內江人。其精鍳別,富收藏,善詩文書畫與金石篆刻。&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; 本幅細筆勾勒朵朵荷花,造型俯仰生姿,荷葉濃墨渲染,肌理清晰。全畫既表現出夏日的荷塘風情,亦見筆墨淋漓盡致與豐富變化。<div><br></div></span>", "weight": 3 }, "basic-lb79qnhh88": { "id": "basic-lb79qnhh88", "type": "basic", "sortable": true, "primaryObj": { "oid": "d065b5216c96ae4145ab6d26d942e535", "fileType": "image", "fileURI": "https://openmuseum.tw/files/muse_portal/muse_styles/w1024/mcode/2d264fb6b4cd56bd2a8d606dca993ce8.jpg?itok=fEzmhK8L", "level": "primary", "title": "墨荷 | Lotus in Ink", "desc": "張大千(1899–1983),原名張正權,號大千,別號大千居士,四川內江人。其精鍳別,富收藏,善詩文書畫與金石篆刻。\r\n張大千1940年代遠赴敦煌莫高窟臨摹壁畫之後,畫風由早年的清逸而有大幅的轉向與調整。本幅畫作以構圖最為突出,白色花朵半掩藏匿於荷葉之後,全幅雖然以墨色為主未見賦彩,卻更顯荷花高逸清雅之氣質。款識:人品誰如花澹蕩,文心可似藕玲瓏,露筋祠外好風景,只有漁洋句最工。甲申秋日似,立庵仁兄方豪正之。大千居士張爰大風堂下。\r\n鈐印:張爰(朱文)。張大千(白文)。", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/2d264fb6b4cd56bd2a8d606dca993ce8.jpg?itok=Vmp3UfjV", "thumbMediumURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_medium/mcode/2d264fb6b4cd56bd2a8d606dca993ce8.jpg?itok=KSOGIGsS", "thumbBigURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_big/mcode/2d264fb6b4cd56bd2a8d606dca993ce8.jpg?itok=7n0YSyta", "mfid": "2d264fb6b4cd56bd2a8d606dca993ce8", "fileCreator": "張大千 | Chang, Dai-Chien", "rights": "佛光山佛陀紀念館", "rightsLogo": "https://openmuseum.tw/files/muse_portal/styles/square_thumbnail_100/public/default_rights/memder_non-02.png?itok=fGKM5I0r", "fileLicence": "著作權利所有-可用於本站提供的服務", "fileDisableLink": 0, "fileOversize": false, "background": "https://openmuseum.tw/files/muse_portal/muse_styles/w1920/mcode/2d264fb6b4cd56bd2a8d606dca993ce8.jpg?itok=S5RlJw1P" }, "title": "墨荷 | Lotus in Ink", "desc": "<div><span>張大千Chang Dai-Chien<br>紙本 水墨<br>106x56 cm<br>1944<br>佛光山典藏&nbsp;<br>款識:人品誰如花澹蕩,文心可似藕玲瓏,露筋祠外好風景,只有漁洋句最工。甲申秋日似,立庵仁兄方豪正之。大千居士張爰大風堂下。<br>鈐印:張爰(朱文)。張大千(白文)。<br>張大千(1899-1983),名爰,原名張正權,號大千,別號大千居士,四川內江人。其精鍳別,富收藏,善詩文書畫與金石篆刻。張大千1940年代遠赴敦煌莫高窟臨摹壁畫之後,畫風由早年的清逸而有大幅的轉向與調整。本幅畫作以構圖最為突出,白色花朵半掩藏匿於荷葉之後,全幅雖然以墨色為主未見賦彩,卻更顯荷花高逸清雅之氣質。<div><br></div></span></div>", "weight": 4 }, "basic-svpg36wrxi": { "id": "basic-svpg36wrxi", "type": "basic", "sortable": true, "primaryObj": { "oid": "52f6d0cf0b7a96e9e157408588ef3e59", "fileType": "image", "fileURI": "https://openmuseum.tw/files/muse_portal/muse_styles/w1024/mcode/778afddc9549f9708ac0278de3dc775e.jpg?itok=Dee2__3X", "level": "primary", "title": "荷花 | Lotus ", "desc": "張大千(1899–1983),原名張正權,號大千,別號大千居士,四川內江人。其精鍳別,富收藏,善詩文書畫與金石篆刻。\r\n本幅描寫仲夏雨歇荷塘風情,大千以精到的筆法與大氣宏偉的構圖,展現晚年氣氳萬千的水墨世界,流瀉夏季荷池無限的清麗風光。款識:兩村姊妹一般嬌,同住青溪隔小橋。相約采蓮期早至,來遲罰取蕩蘭橈。六十九年夏仲雨過暑遏弄筆為快八十二叟爰。\r\n鈐印:庚申(朱文)。摩耶精舍(朱文)。大千豪髮(朱文)。己亥己巳戊寅辛酉(白文)。張爰之印(白文)。大千居士(朱文) ", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/778afddc9549f9708ac0278de3dc775e.jpg?itok=hPCjchEb", "thumbMediumURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_medium/mcode/778afddc9549f9708ac0278de3dc775e.jpg?itok=YwMR1kjD", "thumbBigURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_big/mcode/778afddc9549f9708ac0278de3dc775e.jpg?itok=2x68olRF", "mfid": "778afddc9549f9708ac0278de3dc775e", "fileCreator": "張大千 | Chang, Dai-Chien", "rights": "佛陀紀念館", "rightsLogo": "https://openmuseum.tw/files/muse_portal/styles/square_thumbnail_100/public/default_rights/memder_non-04.png?itok=gq-PTcKL", "fileLicence": "著作權利所有-可用於本站提供的服務", "fileDisableLink": 0, "fileOversize": false, "background": "https://openmuseum.tw/files/muse_portal/muse_styles/w1920/mcode/778afddc9549f9708ac0278de3dc775e.jpg?itok=YdBh-n92" }, "title": "荷花 | Lotus", "desc": "<div><span>張大千Chang Dai-Chien<br>紙本 水墨設色<br>61.3x121 cm<br>1980<br>佛光山典藏<br>款識:兩村姊妹一般嬌,同住青溪隔小橋。相約采蓮期早至,來遲罰取蕩蘭橈。六十九年夏仲雨過暑遏弄筆為快八十二叟爰。<br>鈐印:庚申(朱文)。摩耶精舍(朱文)。大千豪髮(朱文)。己亥己巳戊寅辛酉(白文)。張爰之印(白文)。大千居士(朱文)&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<br>張大千(1899-1983),名爰,原名張正權,號大千,別號大千居士,四川內江人。其精鍳別,富收藏,善詩文書畫與金石篆刻。本幅描寫仲夏雨歇荷塘風情,大千以精到的筆法與大氣宏偉的構圖,展現晚年氣氳萬千的水墨世界,流瀉夏季荷池無限的清麗風光。<div><br></div></span></div>", "weight": 5 }, "imgs-zpjl037qk2": { "id": "imgs-zpjl037qk2", "type": "imgs", "sortable": true, "multiObjs": [ { "oid": "2ed40812679c4e2b64bb9a52d0b12b42", "fileType": "image", "fileURI": "https://openmuseum.tw/files/muse_portal/muse_styles/w1024/mcode/2f71ba0cb4e304f0eed8bc97f324388c.jpg?itok=hdWGN5iL", "level": "primary", "title": "荷花 | Lotus", "desc": "孫雲生(1918–2000),大風堂傳人,生於河北,追隨張大千,情誼如父子。其工筆、寫意、潑墨、潑彩運用自如,題畫法書更得大千筆意。本幅潑墨筆意揮灑,大寫意沒骨法描繪夏日荷塘景致。空氣清澈,荷葉若舞,荷花漸次開放,墨葉清新,花白宜人。 水墨暈染細潤,花朵空靈,葉筋脈絡分明,呈顯出淤泥而不染品格。交融光影躍動,明暗效果明顯。款識:方池留水勝埋盆,露入蓮腮沁粉痕。 鈴索無聲人不到,小禽飛入閙荷根。七十二年癸亥七月植物園荷花盛開,國立歷史博物館舉辦畫荷示範予應邀於該館遵彭廳揮毫半旬鐘,草草寫成二幅。孫雲生家瑞。\r\n鈐印:孫家瑞印(白文)。雲生長壽(朱文)。福德長壽(白文)。五峰園知年(朱文)。", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/2f71ba0cb4e304f0eed8bc97f324388c.jpg?itok=xEucqyQu", "thumbMediumURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_medium/mcode/2f71ba0cb4e304f0eed8bc97f324388c.jpg?itok=O2E1LMil", "thumbBigURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_big/mcode/2f71ba0cb4e304f0eed8bc97f324388c.jpg?itok=J-sFD1EI", "mfid": "2f71ba0cb4e304f0eed8bc97f324388c", "fileCreator": "孫雲生 | Sun, Yun-Sheng", "rights": "國立歷史博物館", "rightsLogo": "https://openmuseum.tw/files/muse_portal/styles/square_thumbnail_100/public/default_rights/memder_non-02.png?itok=fGKM5I0r", "fileLicence": "著作權利所有-可用於本站提供的服務", "fileDisableLink": 0, "fileOversize": false, "background": "https://openmuseum.tw/files/muse_portal/muse_styles/w1920/mcode/2f71ba0cb4e304f0eed8bc97f324388c.jpg?itok=-9F9oyol" }, { "oid": "25763c77c5356823e692a863239243db", "fileType": "image", "fileURI": "https://openmuseum.tw/files/muse_portal/muse_styles/w1024/mcode/c0c670e2a72f8c293fcf3f80669ac74b.jpg?itok=zfzkl4ED", "level": "primary", "title": "荷塘清趣 | Lotus Pond", "desc": "孫家勤(1930–2010),字野耘,籍山東。1956年就讀國立台灣師範大學美術系,習傳統繪畫、水彩、油畫等技法;1963年入張大千先生門下,大千先生視為「關門弟子」。 本幅主題荷花,以彩墨渲染,輔以局部花瓣細筆描繪,展現用色層次豐富變化,淋漓寫意手法,更顯荷花風姿綽約。款識:荷塘清趣,泰安野耘孫家勤。庚午春\r\n鈐印:孫家勤(白文)。野耘(朱文)。孫家勤畫記。", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/c0c670e2a72f8c293fcf3f80669ac74b.jpg?itok=8HQSDFHR", "thumbMediumURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_medium/mcode/c0c670e2a72f8c293fcf3f80669ac74b.jpg?itok=RMV5dN_T", "thumbBigURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_big/mcode/c0c670e2a72f8c293fcf3f80669ac74b.jpg?itok=HBaw-AmH", "mfid": "c0c670e2a72f8c293fcf3f80669ac74b", "fileCreator": "孫家勤 | Sun, Chia-Chin", "rights": "國立歷史博物館", "rightsLogo": "https://openmuseum.tw/files/muse_portal/styles/square_thumbnail_100/public/default_rights/memder_non-01.png?itok=DszBk5va", "fileLicence": "著作權利所有-可用於本站提供的服務", "fileDisableLink": 0, "fileOversize": false, "background": "https://openmuseum.tw/files/muse_portal/muse_styles/w1920/mcode/c0c670e2a72f8c293fcf3f80669ac74b.jpg?itok=oyuCoq3t" }, { "oid": "c61af41cc9787ec603e7b175adb34f96", "fileType": "image", "fileURI": "https://openmuseum.tw/files/muse_portal/muse_styles/w1024/mcode/1da3b229c992ea1b3213b904c9bf9013.jpg?itok=-fVd2gLM", "level": "primary", "title": "水殿暗香 | Lotus in Ink", "desc": "", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/1da3b229c992ea1b3213b904c9bf9013.jpg?itok=V7X4pxOk", "thumbMediumURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_medium/mcode/1da3b229c992ea1b3213b904c9bf9013.jpg?itok=RoRdUNIG", "thumbBigURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_big/mcode/1da3b229c992ea1b3213b904c9bf9013.jpg?itok=skM0HV2a", "mfid": "1da3b229c992ea1b3213b904c9bf9013", "fileCreator": "張大千 | Chang, Dai-Chien", "rights": "國立歷史博物館", "rightsLogo": "https://openmuseum.tw/files/muse_portal/styles/square_thumbnail_100/public/default_rights/memder_non-01.png?itok=DszBk5va", "fileLicence": "著作權利所有-可用於本站提供的服務", "fileDisableLink": 1, "fileOversize": false, "background": "https://openmuseum.tw/files/muse_portal/muse_styles/w1920/mcode/1da3b229c992ea1b3213b904c9bf9013.jpg?itok=dWD4cU_t" } ], "items": { "imgs-zpjl037qk2-hsuxkcxi8z": { "id": "imgs-zpjl037qk2-hsuxkcxi8z", "title": "荷花 | Lotus", "desc": "孫雲生(1918–2000),大風堂傳人,生於河北,追隨張大千,情誼如父子。其工筆、寫意、潑墨、潑彩運用自如,題畫法書更得大千筆意。本幅潑墨筆意揮灑,大寫意沒骨法描繪夏日荷塘景致。空氣清澈,荷葉若舞,荷花漸次開放,墨葉清新,花白宜人。 水墨暈染細潤,花朵空靈,葉筋脈絡分明,呈顯出淤泥而不染品格。交融光影躍動,明暗效果明顯。款識:方池留水勝埋盆,露入蓮腮沁粉痕。 鈴索無聲人不到,小禽飛入閙荷根。七十二年癸亥七月植物園荷花盛開,國立歷史博物館舉辦畫荷示範予應邀於該館遵彭廳揮毫半旬鐘,草草寫成二幅。孫雲生家瑞。\r\n鈐印:孫家瑞印(白文)。雲生長壽(朱文)。福德長壽(白文)。五峰園知年(朱文)。", "primaryObj": { "oid": "2ed40812679c4e2b64bb9a52d0b12b42", "fileType": "image", "fileURI": "https://openmuseum.tw/files/muse_portal/muse_styles/w1024/mcode/2f71ba0cb4e304f0eed8bc97f324388c.jpg?itok=hdWGN5iL", "level": "primary", "title": "荷花 | Lotus", "desc": "孫雲生(1918–2000),大風堂傳人,生於河北,追隨張大千,情誼如父子。其工筆、寫意、潑墨、潑彩運用自如,題畫法書更得大千筆意。本幅潑墨筆意揮灑,大寫意沒骨法描繪夏日荷塘景致。空氣清澈,荷葉若舞,荷花漸次開放,墨葉清新,花白宜人。 水墨暈染細潤,花朵空靈,葉筋脈絡分明,呈顯出淤泥而不染品格。交融光影躍動,明暗效果明顯。款識:方池留水勝埋盆,露入蓮腮沁粉痕。 鈴索無聲人不到,小禽飛入閙荷根。七十二年癸亥七月植物園荷花盛開,國立歷史博物館舉辦畫荷示範予應邀於該館遵彭廳揮毫半旬鐘,草草寫成二幅。孫雲生家瑞。\r\n鈐印:孫家瑞印(白文)。雲生長壽(朱文)。福德長壽(白文)。五峰園知年(朱文)。", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/2f71ba0cb4e304f0eed8bc97f324388c.jpg?itok=xEucqyQu", "thumbMediumURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_medium/mcode/2f71ba0cb4e304f0eed8bc97f324388c.jpg?itok=O2E1LMil", "thumbBigURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_big/mcode/2f71ba0cb4e304f0eed8bc97f324388c.jpg?itok=J-sFD1EI", "mfid": "2f71ba0cb4e304f0eed8bc97f324388c", "fileCreator": "孫雲生 | Sun, Yun-Sheng", "rights": "國立歷史博物館", "rightsLogo": "https://openmuseum.tw/files/muse_portal/styles/square_thumbnail_100/public/default_rights/memder_non-02.png?itok=fGKM5I0r", "fileLicence": "著作權利所有-可用於本站提供的服務", "fileDisableLink": 0, "fileOversize": false, "background": "https://openmuseum.tw/files/muse_portal/muse_styles/w1920/mcode/2f71ba0cb4e304f0eed8bc97f324388c.jpg?itok=-9F9oyol" }, "sortable": true, "type": "imgs-child", "weight": 0 }, "imgs-zpjl037qk2-ow0tf1m3f2": { "id": "imgs-zpjl037qk2-ow0tf1m3f2", "title": "荷塘清趣 | Lotus Pond", "desc": "孫家勤(1930–2010),字野耘,籍山東。1956年就讀國立台灣師範大學美術系,習傳統繪畫、水彩、油畫等技法;1963年入張大千先生門下,大千先生視為「關門弟子」。 本幅主題荷花,以彩墨渲染,輔以局部花瓣細筆描繪,展現用色層次豐富變化,淋漓寫意手法,更顯荷花風姿綽約。款識:荷塘清趣,泰安野耘孫家勤。庚午春\r\n鈐印:孫家勤(白文)。野耘(朱文)。孫家勤畫記。", "primaryObj": { "oid": "25763c77c5356823e692a863239243db", "fileType": "image", "fileURI": "https://openmuseum.tw/files/muse_portal/muse_styles/w1024/mcode/c0c670e2a72f8c293fcf3f80669ac74b.jpg?itok=zfzkl4ED", "level": "primary", "title": "荷塘清趣 | Lotus Pond", "desc": "孫家勤(1930–2010),字野耘,籍山東。1956年就讀國立台灣師範大學美術系,習傳統繪畫、水彩、油畫等技法;1963年入張大千先生門下,大千先生視為「關門弟子」。 本幅主題荷花,以彩墨渲染,輔以局部花瓣細筆描繪,展現用色層次豐富變化,淋漓寫意手法,更顯荷花風姿綽約。款識:荷塘清趣,泰安野耘孫家勤。庚午春\r\n鈐印:孫家勤(白文)。野耘(朱文)。孫家勤畫記。", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/c0c670e2a72f8c293fcf3f80669ac74b.jpg?itok=8HQSDFHR", "thumbMediumURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_medium/mcode/c0c670e2a72f8c293fcf3f80669ac74b.jpg?itok=RMV5dN_T", "thumbBigURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_big/mcode/c0c670e2a72f8c293fcf3f80669ac74b.jpg?itok=HBaw-AmH", "mfid": "c0c670e2a72f8c293fcf3f80669ac74b", "fileCreator": "孫家勤 | Sun, Chia-Chin", "rights": "國立歷史博物館", "rightsLogo": "https://openmuseum.tw/files/muse_portal/styles/square_thumbnail_100/public/default_rights/memder_non-01.png?itok=DszBk5va", "fileLicence": "著作權利所有-可用於本站提供的服務", "fileDisableLink": 0, "fileOversize": false, "background": "https://openmuseum.tw/files/muse_portal/muse_styles/w1920/mcode/c0c670e2a72f8c293fcf3f80669ac74b.jpg?itok=oyuCoq3t" }, "sortable": true, "type": "imgs-child", "weight": 1 }, "imgs-zpjl037qk2-us1z56qkj6": { "id": "imgs-zpjl037qk2-us1z56qkj6", "title": "水殿暗香 | Lotus in Ink", "desc": "", "primaryObj": { "oid": "c61af41cc9787ec603e7b175adb34f96", "fileType": "image", "fileURI": "https://openmuseum.tw/files/muse_portal/muse_styles/w1024/mcode/1da3b229c992ea1b3213b904c9bf9013.jpg?itok=-fVd2gLM", "level": "primary", "title": "水殿暗香 | Lotus in Ink", "desc": "", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/1da3b229c992ea1b3213b904c9bf9013.jpg?itok=V7X4pxOk", "thumbMediumURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_medium/mcode/1da3b229c992ea1b3213b904c9bf9013.jpg?itok=RoRdUNIG", "thumbBigURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_big/mcode/1da3b229c992ea1b3213b904c9bf9013.jpg?itok=skM0HV2a", "mfid": "1da3b229c992ea1b3213b904c9bf9013", "fileCreator": "張大千 | Chang, Dai-Chien", "rights": "國立歷史博物館", "rightsLogo": "https://openmuseum.tw/files/muse_portal/styles/square_thumbnail_100/public/default_rights/memder_non-01.png?itok=DszBk5va", "fileLicence": "著作權利所有-可用於本站提供的服務", "fileDisableLink": 1, "fileOversize": false, "background": "https://openmuseum.tw/files/muse_portal/muse_styles/w1920/mcode/1da3b229c992ea1b3213b904c9bf9013.jpg?itok=dWD4cU_t" }, "sortable": true, "type": "imgs-child", "weight": 2 } }, "weight": 6, "primaryObj": { "oid": "2ed40812679c4e2b64bb9a52d0b12b42", "title": "荷花 | Lotus", "desc": "孫雲生(1918–2000),大風堂傳人,生於河北,追隨張大千,情誼如父子。其工筆、寫意、潑墨、潑彩運用自如,題畫法書更得大千筆意。本幅潑墨筆意揮灑,大寫意沒骨法描繪夏日荷塘景致。空氣清澈,荷葉若舞,荷花漸次開放,墨葉清新,花白宜人。 水墨暈染細潤,花朵空靈,葉筋脈絡分明,呈顯出淤泥而不染品格。交融光影躍動,明暗效果明顯。款識:方池留水勝埋盆,露入蓮腮沁粉痕。 鈴索無聲人不到,小禽飛入閙荷根。七十二年癸亥七月植物園荷花盛開,國立歷史博物館舉辦畫荷示範予應邀於該館遵彭廳揮毫半旬鐘,草草寫成二幅。孫雲生家瑞。\r\n鈐印:孫家瑞印(白文)。雲生長壽(朱文)。福德長壽(白文)。五峰園知年(朱文)。", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/8e0e5cab270dcb746900931e758aa7be.jpg?itok=mMYA-Aj9", "thumbMediumURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_medium/mcode/8e0e5cab270dcb746900931e758aa7be.jpg?itok=PmnAQaXq", "thumbBigURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_big/mcode/8e0e5cab270dcb746900931e758aa7be.jpg?itok=5J-og2iu", "mfid": "8e0e5cab270dcb746900931e758aa7be", "fileURI": "https://openmuseum.tw/files/muse_portal/muse_styles/w1024/mcode/8e0e5cab270dcb746900931e758aa7be.jpg?itok=Mx-WgOqY", "fileType": "image", "fileCreator": "", "rights": "國立歷史博物館", "rightsLogo": "https://openmuseum.tw/files/muse_portal/styles/square_thumbnail_100/public/default_rights/memder_non-03.png?itok=h0rkcAOw", "fileLicence": "著作權利所有-僅能瀏覽", "fileDisableLink": 0, "fileOversize": false, "level": "primary", "background": "https://openmuseum.tw/files/muse_portal/muse_styles/w1920/mcode/8e0e5cab270dcb746900931e758aa7be.jpg?itok=-3gw5wZe" }, "desc": "<span>張大千先生從小學畫及書畫鑑賞,年輕時昆仲於上海成立畫齋 「大風堂」。大千先生長年吸取各家之長進而融合一體,在畫壇素 有「五百年來一大千」之封號。大千先生識見深廣,為人豪邁,畫作呈現出一種磅礡之氣,詩、 書、畫、金石並進,終能自成一家之格。潑墨原是中國畫的技法之 一,須大筆飽飲水墨,以高速度落紙,一氣呵成。晚期張大千借傳統潑墨之法始於荷花,後及於山水,技法上復活 了古代的潑墨,更用同法嘗試潑彩,為我國傳統畫法延展了新的一 步,並成為大風堂揮灑畫風之典型。大風堂門因大千之名享譽畫壇,從上海、四川、香港、巴西到臺 灣各個時期所收門生為數甚多,較為知名者包括孫雲生、孫家勤、 何海霞、李秋君、匡仲英等等,形成大風堂畫派體系。Chang Dai-Chien studied painting and calligraphy at a young age and established a painting studio named “Da Feng Tang” in Shanghai in his youth. Chang integrated the essences of various painting schools and has been honored with the title “Master of 500 Years” in the art circle.With his broad knowledge and bold personality, his paintings show a majestic quality in a unique style that integrates elements of poetry, calligraphy, and painting. Splashed ink is a technique in Chinese painting, whereby the artist uses a large brush to dip ink, and then paint the objects swiftly in one single stroke. In his late years, Chang painted lotuses using such a technique, reviving the traditional technique while experimenting the technique with colors. This later became a hallmark of the Da Feng Tang Studio.The Da Feng Tang Studio became renowned in the art circle under the influence of Chang. It has nurtured many students from Shanghai, Sichuan, Hong Kong, Brazil, and Taiwan in various periods.<div><br></div></span><div><br></div>", "title": "大千風采 | Master Dai-Chien and the Da Feng Tang Studio" }, "theme-ut07d0f7rr": { "id": "theme-ut07d0f7rr", "type": "theme", "sortable": true, "primaryObj": { "oid": "8871febe1bb7354dfe06d51ae6e00486", "fileType": "image", "fileURI": "https://openmuseum.tw/files/muse_portal/muse_styles/w1024/mcode/cdef305f24370f3bf378072c9a5285c3.jpg?itok=wgfrAdmF", "level": "primary", "title": "花卉 | Flowers", "desc": "吳平(1920–2019),字堪白,浙江餘姚人,獲中國畫學會金爵獎和中山文藝獎篆刻類等大獎,曾任故宮博物院書畫處長,為當代少數兼擅書法、繪畫、篆刻藝術家。 \r\n本幅荷花主題,花青藍彩畫荷葉、黑墨線寫草、淡赭色勾繪白色荷花,花青藍彩茵郁與荷花相應,大寫意用筆清新爽朗。款識:雲氣生豪端,黛色落研北,心手忽相忘,誰知有筆墨。甌香館詩七十五年丙寅春,堪白吳平。\r\n鈐印:吳平(白文)。堪白(朱文)。", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/cdef305f24370f3bf378072c9a5285c3.jpg?itok=sKniK3WF", "thumbMediumURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_medium/mcode/cdef305f24370f3bf378072c9a5285c3.jpg?itok=9qw2Mi3F", "thumbBigURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_big/mcode/cdef305f24370f3bf378072c9a5285c3.jpg?itok=B6n9OHZU", "mfid": "cdef305f24370f3bf378072c9a5285c3", "fileCreator": "吳平 | Wu, Ping", "rights": "國立歷史博物館", "rightsLogo": "https://openmuseum.tw/files/muse_portal/styles/square_thumbnail_100/public/default_rights/memder_non-04.png?itok=gq-PTcKL", "fileLicence": "著作權利所有-可用於本站提供的服務", "fileDisableLink": 0, "fileOversize": false, "background": "https://openmuseum.tw/files/muse_portal/muse_styles/w1920/mcode/cdef305f24370f3bf378072c9a5285c3.jpg?itok=QIcoaezv" }, "title": "金石風格 | Jinshi School", "desc": "<span>十九世紀中期興起的金石書風,後亦擴及繪畫。最早由吳熙載開先河,後則有吳昌碩為大家,將北碑的用筆、篆刻的刀勢,融入繪畫之中,成為民初畫壇最具代表性的流派之一。<br></span>\n\nThe Jinshi style of calligraphy, which emerged in the\nmid-nineteenth century, was later developed to include painting. This style was\nfirst pioneered by Wu Xizai, and later developed by Wu\nChang-Shuo, who incorporated the brushwork of the Northern dynasty steles\nand the cutting style of seal engraving into his paintings.", "weight": 7 }, "basic-rhqm1xvlq6": { "id": "basic-rhqm1xvlq6", "type": "basic", "sortable": true, "primaryObj": { "oid": "a479ee5621b65b6b6c025cbcb2e01381", "fileType": "image", "fileURI": "https://openmuseum.tw/files/muse_portal/muse_styles/w1024/mcode/472e5b385de9f862455f56df81cc36b2.jpg?itok=VhnPTaOb", "level": "primary", "title": "紅白荷花 | Lotus", "desc": "吳昌碩(1844-1927),名俊,又名俊卿,字昌碩,浙江省孝豐縣鄣吳村(今湖州)人。晚清著名畫家,書法家、篆刻家,杭州西泠印社首任社長,與虛谷、蒲華、任伯年並稱「清末海派四傑」。\r\n吳昌碩作畫的理念是「畫氣不畫形」,畫荷兼用篆、隸、狂草筆意入畫,色酣墨飽,雄健古拙。設色大膽,別開生面,用色混而不髒,艷而不俗,自有一種古樸的美。作品重整體,尚氣勢,主張「奔放處不離法度,精微處照顧氣魄」。款識:破荷寫荷。庚戌冬日吳缶翁。\r\n鈐印:老缶(朱文)。聾(朱文)", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/472e5b385de9f862455f56df81cc36b2.jpg?itok=tlNwX1Ln", "thumbMediumURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_medium/mcode/472e5b385de9f862455f56df81cc36b2.jpg?itok=LYxBQ45I", "thumbBigURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_big/mcode/472e5b385de9f862455f56df81cc36b2.jpg?itok=1y4_9Nby", "mfid": "472e5b385de9f862455f56df81cc36b2", "fileCreator": "吳昌碩 | Wu, Chang-Shuo", "rights": "佛光山佛陀紀念館", "rightsLogo": "https://openmuseum.tw/files/muse_portal/styles/square_thumbnail_100/public/default_rights/memder_non-02.png?itok=fGKM5I0r", "fileLicence": "著作權利所有-可用於本站提供的服務", "fileDisableLink": 0, "fileOversize": false, "background": "https://openmuseum.tw/files/muse_portal/muse_styles/w1920/mcode/472e5b385de9f862455f56df81cc36b2.jpg?itok=etaCTKBJ" }, "title": "紅白荷花 | Lotus", "desc": "<div><span>吳昌碩Wu Chang-Shuo<br>紙本 水墨設色<br>109x54 cm<br>1910<br>佛光山典藏<br>款識:破荷寫荷。庚戌冬日吳缶翁。<br>鈐印:老缶(朱文)。聾(朱文)。<br>吳昌碩(1844–1927),名俊,又名俊卿,字昌碩,浙江省孝豐縣鄣吳村(今湖州)人。晚清著名畫家,書法家、篆刻家,杭州西泠印社首任社長,與虛谷、蒲華、任伯年並稱「清末海派四傑」。其創立的大寫意表現形式對於近現代中國畫壇影響深遠。擅長寫意花卉,受徐渭和八大山人影響最大。吳氏書法篆刻功底深厚,把書法、篆刻的行筆、運刀及章法、體勢融入繪畫,形成了富有金石味的獨特畫風。吳昌碩作畫的理念是「畫氣不畫形」,畫荷兼用篆、隸、狂草筆意入畫,色酣墨飽,雄健古拙。設色大膽,別開生面,用色混而不髒,豔而不俗,自有一種古樸的美。作品重整體,尚氣勢,主張「奔放處不離法度,精微處照顧氣魄」。<div><br></div></span></div><div><br></div>", "weight": 8 }, "basic-rsthme8rse": { "id": "basic-rsthme8rse", "type": "basic", "sortable": true, "primaryObj": { "oid": "19332c7dce42aecad92a55f52492f69f", "fileType": "image", "fileURI": "https://openmuseum.tw/files/muse_portal/muse_styles/w1024/mcode/9165ebabf09466778fe71673cb13cad2.jpg?itok=2mM2C66i", "level": "primary", "title": "蓮塘情趣 | Lotus Pond", "desc": "趙時棡(1874-1945),浙江鄞縣(今寧波)人,原名潤祥,字獻忱,號紉萇,後改名時棡,字叔孺,以字行,篆刻和金石學成就最高,擅長圓朱文及朱白文小璽,與吳昌碩齊名,被推為清末民國第一,近代以來在日本影響尤巨。\r\n趙叔儒山水、人物、花卉等中國畫的傳統題材無所不精,書法篆刻自立門戶,別具一格。以金石學入畫,擅於描繪蔬果花卉,水墨交融,兼得雅淳之趣。款識:蓮塘清趣。癸酉大暑作此趙叔儒。\r\n鈐印:鄞趙時棡字叔儒之印(白文)", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/9165ebabf09466778fe71673cb13cad2.jpg?itok=zBA52B4M", "thumbMediumURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_medium/mcode/9165ebabf09466778fe71673cb13cad2.jpg?itok=JMkohvuD", "thumbBigURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_big/mcode/9165ebabf09466778fe71673cb13cad2.jpg?itok=ZB2CE1KU", "mfid": "9165ebabf09466778fe71673cb13cad2", "fileCreator": "趙時棡(叔儒)\t| Chao, Shih-Kang", "rights": "佛光山佛陀紀念館", "rightsLogo": "https://openmuseum.tw/files/muse_portal/styles/square_thumbnail_100/public/default_rights/memder_non-03.png?itok=h0rkcAOw", "fileLicence": "著作權利所有-可用於本站提供的服務", "fileDisableLink": 0, "fileOversize": false, "background": "https://openmuseum.tw/files/muse_portal/muse_styles/w1920/mcode/9165ebabf09466778fe71673cb13cad2.jpg?itok=HrKNgPL3" }, "title": "荷塘情趣 | Lotus Pond", "desc": "<span>趙時棡(叔孺)Zhao Shi-Gang<br>紙本 水墨設色<br>137x68 cm<br>1933<br>佛光山典藏<br>款識:蓮塘清趣。癸酉大暑作此趙叔孺。<br>鈐印:鄞趙時棡字叔孺之印(白文)<br>趙時棡(1874-1945),浙江鄞縣(今寧波)人,原名潤祥,字獻忱,號紉萇,後改名時棡,字叔孺,以字行,篆刻和金石學成就最高,擅長圓朱文及朱白文小璽,與吳昌碩齊名,被推為清末民國第一,近代以來在日本影響尤巨。趙叔孺山水、人物、花卉等中國畫的傳統題材無所不精,書法篆刻自立門戶,別具一格。以金石學入畫,擅於描繪蔬果花卉,水墨交融,兼得雅淳之趣。<div><br></div></span>", "weight": 9 }, "basic-gkesa6bdbz": { "id": "basic-gkesa6bdbz", "type": "basic", "sortable": true, "primaryObj": { "oid": "a40feb266784956b5981db05df19c814", "fileType": "image", "fileURI": "https://openmuseum.tw/files/muse_portal/muse_styles/w1024/mcode/cf69903bc491c9a48c4c7c86cfbfe157.jpg?itok=fIKheocq", "level": "primary", "title": "和合二仙 | Immortals of Harmony and Union", "desc": "王震(1867-1938),字一亭,號白龍山人,浙江嘉興人。清末民國時期海上著名書畫家、實業家、傑出慈善家、社會活動家與宗教界名士。\r\n王震是海上畫派代表人物之一,其畫綜合了任伯年和吳昌碩的特點,自成一家,此幅描繪和合二仙形象鮮明,簡練自然,筆墨獨具,瀟灑質樸。款識:乙卯夏六月白龍山人王震。\r\n鈐印:千里之路不可扶以繩(朱文)。一亭大利(白文)。", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/cf69903bc491c9a48c4c7c86cfbfe157.jpg?itok=gUaRCvtC", "thumbMediumURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_medium/mcode/cf69903bc491c9a48c4c7c86cfbfe157.jpg?itok=wXTm3DED", "thumbBigURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_big/mcode/cf69903bc491c9a48c4c7c86cfbfe157.jpg?itok=hdjU2bX5", "mfid": "cf69903bc491c9a48c4c7c86cfbfe157", "fileCreator": "王震 | Wang, Zhen", "rights": "佛光山佛陀紀念館", "rightsLogo": "https://openmuseum.tw/files/muse_portal/styles/square_thumbnail_100/public/default_rights/memder_non-03.png?itok=h0rkcAOw", "fileLicence": "著作權利所有-可用於本站提供的服務", "fileDisableLink": 0, "fileOversize": false, "background": "https://openmuseum.tw/files/muse_portal/muse_styles/w1920/mcode/cf69903bc491c9a48c4c7c86cfbfe157.jpg?itok=VAEE1LTg" }, "title": "和合二仙 | Immortals of Harmony and Union", "desc": "<div><span>王震Wang Zhen<br>紙本 水墨設色<br>202x94 cm<br>1915<br>佛光山典藏<br>款識:乙卯夏六月白龍山人王震。<br>鈐印:千里之路不可扶以繩(朱文)。一亭大利(白文)。<br>王震(1867-1938),字一亭,號白龍山人,浙江嘉興人。清末民國時期海上著名書畫家、實業家、傑出慈善家、社會活動家與宗教界名士。王震是海上畫派代表人物之一,其畫綜合了任伯年和吳昌碩的特點,自成一家,此幅描繪和合二仙形象鮮明,簡練自然,筆墨獨具,瀟灑質樸。<br></span></div>", "weight": 10 }, "basic-v6hh00azbb": { "id": "basic-v6hh00azbb", "type": "basic", "sortable": true, "primaryObj": { "oid": "1dc04ca77f24c752b611ebc40d048fb6", "fileType": "image", "fileURI": "https://openmuseum.tw/files/muse_portal/muse_styles/w1024/mcode/e186f3c404f5345fb7e7db3f41c472c8.jpg?itok=uZi_M0KX", "level": "primary", "title": "蓮藕 | Lotus Root", "desc": "鄭曼青(1902-1975),浙江溫州永嘉人,有「五絕老人」的稱譽,五絕所指的是詩、書、畫、中醫和太極拳等五種絕藝,畫意中見書趣,畫中有詩,詩書畫為一體。款識:一本 蕖圖。蓮比君子,交持以贈,俠士所望,種發華一本 蕖峙中日之友誼,永期得相似。一九一八年孫中山先生以蓮花種子四顆贈與日本契友田中隆,田中有俠骨,孫先生甚器以重之,故看此贈含意甚深,非言可喻,今聞發花有期預寫此圖以誌其盛耳。庚子九秋永嘉鄭曼青時客臺灣。\r\n鈐印:玉井山人。永嘉鄭氏。後廣文先生千二百年生。", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/e186f3c404f5345fb7e7db3f41c472c8.jpg?itok=kY0s4ylh", "thumbMediumURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_medium/mcode/e186f3c404f5345fb7e7db3f41c472c8.jpg?itok=WLL_0jUp", "thumbBigURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_big/mcode/e186f3c404f5345fb7e7db3f41c472c8.jpg?itok=WO40v0_N", "mfid": "e186f3c404f5345fb7e7db3f41c472c8", "fileCreator": "鄭曼青 | Zheng, Man-Qing", "rights": "國立歷史博物館", "rightsLogo": "https://openmuseum.tw/files/muse_portal/styles/square_thumbnail_100/public/default_rights/memder_non-01.png?itok=DszBk5va", "fileLicence": "著作權利所有-可用於本站提供的服務", "fileDisableLink": 0, "fileOversize": false, "background": "https://openmuseum.tw/files/muse_portal/muse_styles/w1920/mcode/e186f3c404f5345fb7e7db3f41c472c8.jpg?itok=o5OPTh7n" }, "title": "蓮藕 | Lotus Root", "desc": "<span>鄭曼青&nbsp;Zheng Man-Qing<br>紙本 水墨<br>164 x85.5 cm<br>1960<br>國立歷史博物館典藏<br>款識:一本芙蕖圖。蓮比君子,交持以贈,俠士所望,種發華一本 蕖峙中日之友誼,永期得相似。一九一八年孫中山先生以蓮花種子四顆贈與日本契友田中隆,田中有俠骨,孫先生甚器以重之,故看此贈含意甚深,非言可喻,今聞發花有期預寫此圖以誌其盛耳。庚子九秋永嘉鄭曼青時客臺灣。<br>鈐印:玉井山人(朱文)。永嘉鄭氏(白文)。後廣文先生千二百年生(白文)。<br>鄭曼青(1902-1975),浙江溫州永嘉人,有「五絕老人」的稱譽,五絕所指的是詩、書、畫、中醫和太極拳等五種絕藝,畫意中見書趣,畫中有詩,詩書畫為一體。本幅畫作作者畫一蓮藕,芙蕖自藕節生出,姿態勁挺,荷葉飽滿,用筆工簡雄健,筆墨豐潤,荷花隨風搖曳,清麗自潔。<div><br></div></span>", "weight": 11 }, "basic-58oy72r52q": { "id": "basic-58oy72r52q", "type": "basic", "sortable": true, "primaryObj": { "oid": "df2431d389b3d01e2de4bfbacaa3c21d", "fileType": "image", "fileURI": "https://openmuseum.tw/files/muse_portal/muse_styles/w1024/mcode/72b1ed0a307dc4684a0b6eb034ebd3ac.jpg?itok=8ugEcf83", "level": "primary", "title": "秋荷 | Autumn Lotus", "desc": "沈耀初(1908–1990)福建詔安人,號「自渡人」,精研書畫古籍、名家真跡,金石筆法入畫,擅長寫意花鳥山石,畫作深具中國文人畫及禪道精神。 本幅盤錯荷葉荷花主題,大範圍荷葉濃淡黑白對比,間以赭紅和花苞,婉轉精練趣味,整體古拙快意。款識:子愛蓮說以此花為隱君子,謂其花酷日炎炎中獨具清涼之品。不以世態移其趣也,稱之君子,誰曰不宜。辛亥夏仲揮汗寫此客謂尚有秋意,士渡人耀初時客霧峯并記。\r\n鈐印:春長好(白文)。士渡人(朱文)。耀初書畫(白文)。", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/72b1ed0a307dc4684a0b6eb034ebd3ac.jpg?itok=Dh8ZtbFn", "thumbMediumURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_medium/mcode/72b1ed0a307dc4684a0b6eb034ebd3ac.jpg?itok=ThaqUXAZ", "thumbBigURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_big/mcode/72b1ed0a307dc4684a0b6eb034ebd3ac.jpg?itok=9aysBvAK", "mfid": "72b1ed0a307dc4684a0b6eb034ebd3ac", "fileCreator": "沈耀初 | Shen, Yao-Chu", "rights": "國立歷史博物館", "rightsLogo": "https://openmuseum.tw/files/muse_portal/styles/square_thumbnail_100/public/default_rights/memder_non-03.png?itok=h0rkcAOw", "fileLicence": "著作權利所有-可用於本站提供的服務", "fileDisableLink": 0, "fileOversize": false, "background": "https://openmuseum.tw/files/muse_portal/muse_styles/w1920/mcode/72b1ed0a307dc4684a0b6eb034ebd3ac.jpg?itok=unAOqUPl" }, "title": "秋荷 | Autumn Lotus", "desc": "<span>沈耀初Shen Yao-Chu<br>紙本 水墨<br>135 x53 cm<br>1971<br>國立歷史博物館典藏<br>款識:周子愛蓮說以此花為隱君子,謂其花酷日炎炎中獨具清涼之品。不以世態移其趣也,稱之君子,誰曰不宜。辛亥夏仲揮汗寫此客謂尚有秋意,士渡人耀初時客霧峯并記。<br>鈐印:春長好(白文)。士渡人(朱文)。耀初書畫(白文)。<br>沈耀初(1908–1990)福建詔安人,號「自渡人」,精研書畫古籍、名家真跡,畫風融合齊白石、吳昌碩、任伯年筆墨,以金石筆法入畫,擅長寫意花鳥、山石。他主張一切筆墨寧大勿小、寧拙勿巧、寧重勿輕、寧厚勿薄,其畫作意境清新脫俗而古樸渾厚,深具中國文人畫及禪道精神。 &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; 本幅盤錯荷葉荷花主題,大範圍荷葉濃淡黑白對比,間以赭紅和花苞,婉轉精練趣味,整體古拙快意。<div><br></div></span>", "weight": 12 }, "theme-hc3hqiza6c": { "id": "theme-hc3hqiza6c", "type": "theme", "sortable": true, "primaryObj": { "oid": "2cbe76be5658c8fe5b6c763f25d6192f", "fileType": "image", "fileURI": "https://openmuseum.tw/files/muse_portal/muse_styles/w1024/mcode/3dda460352144cfadb59c803d18ef708.jpg?itok=T-AaT4ib", "level": "primary", "title": "花卉 | Lotus and the Full Moon", "desc": "黃磊生(1928-2011),生於廣東,擅花卉翎毛蟲魚走獸山水,技法創新,構圖命意賦色均有獨到之處,善西畫技法,形實兼重,雅俗共賞,趣味良多。\r\n幅月下荷花棲雀主題,內容明月、藍黑彩墨、白荷及茵郁薄霧相互掩映,六麻雀棲低斜而垂荷梗,大寫意彩墨濃淡,寓意「花好月圓」,並題款。款識:丙寅之春。嶺南黃磊生。\r\n鈐印:黃磊生(白文)。佛像(肖形印)。天地不老四季皆春(朱文)", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/3dda460352144cfadb59c803d18ef708.jpg?itok=ZIZY1KiA", "thumbMediumURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_medium/mcode/3dda460352144cfadb59c803d18ef708.jpg?itok=kF9_7HLO", "thumbBigURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_big/mcode/3dda460352144cfadb59c803d18ef708.jpg?itok=PU13Ut31", "mfid": "3dda460352144cfadb59c803d18ef708", "fileCreator": "黃磊生 | Huang, Lui-Sang", "rights": "國立歷史博物館", "rightsLogo": "https://openmuseum.tw/files/muse_portal/styles/square_thumbnail_100/public/default_rights/memder_non-04.png?itok=gq-PTcKL", "fileLicence": "著作權利所有-可用於本站提供的服務", "fileDisableLink": 0, "fileOversize": false, "background": "https://openmuseum.tw/files/muse_portal/muse_styles/w1920/mcode/3dda460352144cfadb59c803d18ef708.jpg?itok=rryKXrC9" }, "title": "嶺南風光 | Lingnan School", "desc": "近代的中國水墨畫不斷求新求變,廣東嶺南地區的畫家們引西潤中、深入生活、重視寫生,因地域關係名為「嶺南畫派」,也被稱為「折衷派」,它兼容了古今中外繪畫精神與技法之大成,成為近代書畫的創新力量。嶺南畫派創始人派創始人—高劍父、高奇峰、陳樹人,並赴日本習畫,深受世界藝術思想影響,突破國畫窠臼。\n\n<br>Modern Chinese ink painting has been seeking for new\nchanges, and the painters in Lingnan, Guangdong province, drew new elements\nfrom the West and refocused on the importance of sketching. This school was\nnamed “Lingnan” because of their geographical location. This school integrates\nthe techniques of traditional and modern styles, fusing elements from China and\nabroad. The founders of the Lingnan School - Gao\nJianfu, Gao Qifeng, and Chen Shuren&nbsp;- went to Japan to\nstudy painting, and deeply influenced by the artistic ideas in the\ninternational arena, they sought to break through the mold of Chinese painting.", "weight": 13 }, "basic-tm065ei4av": { "id": "basic-tm065ei4av", "type": "basic", "sortable": true, "primaryObj": { "oid": "c5284145394197eec84e4821e0f1a461", "fileType": "image", "fileURI": "https://openmuseum.tw/files/muse_portal/muse_styles/w1024/mcode/2e1708b82f2e5307172be843ba10d8d8.jpg?itok=CFHvmzCw", "level": "primary", "title": "荷花 | Lotus", "desc": "紙本 水墨\n96 x 41 cm\n1969\n歐豪年文化基金會典藏\n\n款識:水一重重玉一重,更無妖色媚西風,雖然物外能為素,又恐人間只愛紅。己酉夏六月晨起小坐少昂漫興。\n鈐印:趙(朱文)。少昂六十後作(白文)。我之為我自有我在(朱文)。\n\n趙少昂(1905-1998)為嶺南畫派大師高奇峰(1889-1933)的關門弟子,天風七子之一。山水、人物、花鳥、走獸兼長,但以花鳥畫為最精,尤其是後期的花鳥畫,非常生機靈動、逼肖傳神。\n本幅畫作水墨氤氳,用筆情感豐富。畫中枯萎的荷葉勁挺,蜻蜓駐於荷瓣之上隨風搖曳,筆法洒脫有力,滲透著嶺南淡雅的文人氣息。", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/2e1708b82f2e5307172be843ba10d8d8.jpg?itok=VqxGdfuu", "thumbMediumURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_medium/mcode/2e1708b82f2e5307172be843ba10d8d8.jpg?itok=59bFWjuq", "thumbBigURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_big/mcode/2e1708b82f2e5307172be843ba10d8d8.jpg?itok=nqOKyuDS", "background": "https://openmuseum.tw/files/muse_portal/muse_styles/w1920/mcode/2e1708b82f2e5307172be843ba10d8d8.jpg?itok=ZQZVPfVw", "mfid": "2e1708b82f2e5307172be843ba10d8d8", "fileCreator": "趙少昂 Chao Shao-An", "rights": "歐豪年文化基金會", "rightsLogo": "https://openmuseum.tw/files/muse_portal/styles/square_thumbnail_100/public/default_rights/memder_non-02.png?itok=fGKM5I0r", "fileLicence": "著作權利所有-可用於本站提供的服務", "fileDisableLink": "0", "fileOversize": false }, "title": "荷花 | Lotus", "desc": "<span>趙少昂&nbsp;&nbsp;Chao Shao-An<br></span><span>紙本&nbsp;水墨<br></span>96 x 41 cm1969<br>歐豪年文化基金會典藏&nbsp;<br><br>款識:水一重重玉一重,更無妖色媚西風,雖然物外能為素,又恐人間只愛紅。己酉夏六月晨起小坐少昂漫興。<br>鈐印:趙(朱文)。少昂六十後作(白文)。我之為我自有我在(朱文)。&nbsp;<br><span><br>趙少昂(1905-1998)為嶺南畫派大師高奇峰(1889-1933)的關門弟子,天風七子之一。山水、人物、花鳥、走獸兼長,但以花鳥畫為最精,尤其是後期的花鳥畫,非常生機靈動、逼肖傳神。</span><span>本幅畫作水墨氤氳,用筆情感豐富。<br>畫中枯萎的荷葉勁挺,蜻蜓駐於荷瓣之上隨風搖曳,筆法洒脫有力,滲透著嶺南淡雅的文人氣息。</span>", "weight": 14 }, "img-z79outousp": { "id": "img-z79outousp", "type": "img", "sortable": true, "primaryObj": { "oid": "2cbe76be5658c8fe5b6c763f25d6192f", "fileType": "image", "fileURI": "https://openmuseum.tw/files/muse_portal/muse_styles/w1024/mcode/3dda460352144cfadb59c803d18ef708.jpg?itok=T-AaT4ib", "level": "primary", "title": "花卉 | Lotus and the Full Moon", "desc": "黃磊生(1928-2011),生於廣東,擅花卉翎毛蟲魚走獸山水,技法創新,構圖命意賦色均有獨到之處,善西畫技法,形實兼重,雅俗共賞,趣味良多。\n幅月下荷花棲雀主題,內容明月、藍黑彩墨、白荷及茵郁薄霧相互掩映,六麻雀棲低斜而垂荷梗,大寫意彩墨濃淡,寓意「花好月圓」,並題款。款識:丙寅之春。嶺南黃磊生。\n鈐印:黃磊生(白文)。佛像(肖形印)。天地不老四季皆春(朱文)", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/3dda460352144cfadb59c803d18ef708.jpg?itok=ZIZY1KiA", "thumbMediumURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_medium/mcode/3dda460352144cfadb59c803d18ef708.jpg?itok=kF9_7HLO", "thumbBigURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_big/mcode/3dda460352144cfadb59c803d18ef708.jpg?itok=PU13Ut31", "background": "https://openmuseum.tw/files/muse_portal/muse_styles/w1920/mcode/3dda460352144cfadb59c803d18ef708.jpg?itok=rryKXrC9", "mfid": "3dda460352144cfadb59c803d18ef708", "fileCreator": "黃磊生 | Huang, Lui-Sang", "rights": "國立歷史博物館", "rightsLogo": "https://openmuseum.tw/files/muse_portal/styles/square_thumbnail_100/public/default_rights/memder_non-01.png?itok=DszBk5va", "fileLicence": "著作權利所有-可用於本站提供的服務", "fileDisableLink": "0", "fileOversize": false }, "title": "花卉 | Lotus and the Full Moon", "desc": "<span>黃磊生&nbsp;Huang Lui-Sang<br>紙本&nbsp;水墨設色<br></span>90 x180 cm<br>1986<br>國立歷史博物館典藏&nbsp;<br><br>款識:丙寅之春。嶺南黃磊生。<br>鈐印:黃磊生(白文)。佛像(肖形印)。天地不老四季皆春(朱文)。&nbsp;<br><span><br>黃磊生(1928-2011),生於廣東,拜嶺南畫派趙少昂為師,擅花卉翎毛蟲魚走獸山水,技法創新,構圖命意賦色均有獨到之處,善西畫技法,形實兼重,雅俗共賞,趣味良多。<br>本</span>幅月下荷花棲雀主題,內容明月、藍黑彩墨、白荷及茵郁薄霧相互掩映,六麻雀棲低斜而垂荷梗,大寫意彩墨濃淡,寓意「花好月圓」。", "weight": 15 }, "basic-t0msxy88nu": { "id": "basic-t0msxy88nu", "type": "basic", "sortable": true, "primaryObj": { "oid": "ca6298b7fa6528057103c9fd0ad482c0", "fileType": "image", "fileURI": "https://openmuseum.tw/files/muse_portal/muse_styles/w1024/mcode/44274afe7cc797083378a377d649f6cf.jpg?itok=4uRuwGBj", "level": "primary", "title": "荷塘月色 | Moonlight Over The Lotus Pond", "desc": "歐豪年(1935-)生於廣東省茂名縣,出身嶺南世家,其繪畫題材兼善畫花鳥、山水、人物、畜獸,對書法與詩文亦多有研究,藝術成就多元而豐富。\r\n本幅畫作細膩描繪荷塘月色景致,含蓄委婉抒發畫家的思緒變化,得靜出靜,以現實情景書寫,意境更高於現實。款識:月色荷塘夕景明,文章高年朱自清,今欣池館又新綠,合有畫圖紀此情。甲午歲始歐介豪年並賦句。甲午歲始,歐介豪年並賦句。\r\n鈐印:豪年長壽(白文)。白首名山自頡頏(白文)", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/44274afe7cc797083378a377d649f6cf.jpg?itok=jiI7ew3s", "thumbMediumURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_medium/mcode/44274afe7cc797083378a377d649f6cf.jpg?itok=fjAhFiKQ", "thumbBigURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_big/mcode/44274afe7cc797083378a377d649f6cf.jpg?itok=FOfUgc4s", "mfid": "44274afe7cc797083378a377d649f6cf", "fileCreator": "歐豪年 | Au, Ho-Nien", "rights": "歐豪年文化基金會", "rightsLogo": "https://openmuseum.tw/files/muse_portal/styles/square_thumbnail_100/public/default_rights/memder_non-04.png?itok=gq-PTcKL", "fileLicence": "著作權利所有-可用於本站提供的服務", "fileDisableLink": 0, "fileOversize": false, "background": "https://openmuseum.tw/files/muse_portal/muse_styles/w1920/mcode/44274afe7cc797083378a377d649f6cf.jpg?itok=ATSo6g7c" }, "title": "荷塘月色 | Moonlight over the Lotus Pond", "desc": "<span>歐豪年&nbsp;Au Ho-Nien<br>紙本 水墨設色<br>188 x 97 cm<br>2014<br>歐豪年文化基金會典藏<br>款識:月色荷塘夕景明,文章高年朱自清,今欣池館又新綠,合有畫圖紀此情。甲午歲始歐介豪年並賦句。甲午歲始,歐介豪年並賦句。鈐印:豪年長壽(白文)。白首名山自頡頏(白文)<br>歐豪年(1935-)生於廣東省茂名縣(金隸吳川),出身嶺南世家,拜趙少昂為師,其繪畫題材兼善畫花鳥、山水、人物、畜獸,對書法與詩文亦多有研究,藝術成就多元而豐富。本幅畫作細膩描繪荷塘月色景致,含蓄委婉抒發畫家的思緒變化,得靜出靜,以現實情景書寫,意境更高於現實。<br></span>", "weight": 16 }, "basic-sulkh7gsu6": { "id": "basic-sulkh7gsu6", "type": "basic", "sortable": true, "primaryObj": { "oid": "b5bc43bdb23f84eb64d7a792e22ea83d", "fileType": "image", "fileURI": "https://openmuseum.tw/files/muse_portal/muse_styles/w1024/mcode/af3fea7e6d096d0a17754ee4c2695a2d.jpg?itok=EiwWVj1K", "level": "primary", "title": "秋塘白鷺 | Egret in Autum", "desc": "李源海(1948-),臺灣苗栗人,拜楊善深為師,為「春風草堂」的入室弟子與唐墨畫友。創作重寫生、重線條、重神態、重氣韻,不偏執一隅,展現大自然生機。\r\n畫面描寫荷塘白鷺逸趣,展現嶺南墨色融合之美,一筆一畫間無不透露出生機,以開闊的心胸去探索藝術的內涵與意趣。款識:乙未初冬於三灣淨心草堂源海。\r\n鈐印:李(白文)", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/af3fea7e6d096d0a17754ee4c2695a2d.jpg?itok=QGnCxc9T", "thumbMediumURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_medium/mcode/af3fea7e6d096d0a17754ee4c2695a2d.jpg?itok=wZ55oNGI", "thumbBigURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_big/mcode/af3fea7e6d096d0a17754ee4c2695a2d.jpg?itok=HRRr_OMP", "mfid": "af3fea7e6d096d0a17754ee4c2695a2d", "fileCreator": "李源海 | Li, Yuan-Hai", "rights": "嶺南美術館", "rightsLogo": "https://openmuseum.tw/files/muse_portal/styles/square_thumbnail_100/public/default_rights/memder_non-05.png?itok=0rVBS4da", "fileLicence": "著作權利所有-可用於本站提供的服務", "fileDisableLink": 0, "fileOversize": false, "background": "https://openmuseum.tw/files/muse_portal/muse_styles/w1920/mcode/af3fea7e6d096d0a17754ee4c2695a2d.jpg?itok=SuExoV2z" }, "title": "秋塘白鷺 | Egret in Autumn", "desc": "<span>李源海&nbsp;Li Yuan-Hai<br>紙本 水墨設色<br>210x81 cm<br>2015<br>中央研究院嶺南美術館典藏<br>款識:乙未初冬於三灣淨心草堂源海。<br>鈐印:李(白文)<br>李源海(1948-),臺灣苗栗人,拜嶺南畫派楊善深為師,為「春風草堂」的入室弟子與唐墨畫友。創作重寫生、重線條、重神態、重氣韻,不偏執一隅,展現大自然生機。畫面描寫荷塘白鷺逸趣,展現嶺南墨色融合之美,一筆一畫間無不透露出生機,以開闊的心胸去探索藝術的內涵與意趣。<div><br></div></span>", "weight": 17 }, "basic-ootbh4k19r": { "id": "basic-ootbh4k19r", "type": "basic", "sortable": true, "primaryObj": { "oid": "d83b50805256606b10403d4ec76e4b75", "fileType": "image", "fileURI": "https://openmuseum.tw/files/muse_portal/muse_styles/w1024/mcode/0d9aa154754e44ea3313686e12e1d538.jpg?itok=s2BT-mFS", "level": "primary", "title": "荷風紅蜓 | Lotus and Dragonfly", "desc": "紙本 水墨設色\n98cm×36cm\n1985\n華岡博物館典藏\n\n款識:丙寅清夏定夫漫興於清平樓。\n鈐印:柏巖(白文)。定夫之鈢(朱文)。清平樓主(白文)。\n\n邱定夫(1947-)生於臺灣苗栗,中國文化大學美術系畢業,兼任於文大美術系。師承嶺南畫派歐豪年教授。用筆及渲染方法接近寫意,兼擅山水造境,能融合古今,兼博東西方技法,筆墨深厚。\n本幅作品構圖絕奇,張力十足,筆法圓熟洗鍊,荷葉墨色飽滿,與墨筆勾勒之荷花,對印成趣,格調不俗,典雅清麗。", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/0d9aa154754e44ea3313686e12e1d538.jpg?itok=DVk-6CbA", "thumbMediumURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_medium/mcode/0d9aa154754e44ea3313686e12e1d538.jpg?itok=yVqcBHeW", "thumbBigURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_big/mcode/0d9aa154754e44ea3313686e12e1d538.jpg?itok=pvufAQkf", "background": "https://openmuseum.tw/files/muse_portal/muse_styles/w1920/mcode/0d9aa154754e44ea3313686e12e1d538.jpg?itok=jBlfFiGO", "mfid": "0d9aa154754e44ea3313686e12e1d538", "fileCreator": "邱定夫 Qiu Ding-Fu", "rights": "華岡博物館", "rightsLogo": "https://openmuseum.tw/files/muse_portal/styles/square_thumbnail_100/public/default_rights/memder_non-04.png?itok=gq-PTcKL", "fileLicence": "著作權利所有-可用於本站提供的服務", "fileDisableLink": "0", "fileOversize": false }, "title": "荷風紅蜓 | Lotus and Dragonfly", "desc": "邱定夫&nbsp;Qiu Ding-Fu<br>紙本&nbsp;水墨設色<br>98cm×36cm1985<br>華岡博物館典藏&nbsp;<br>款識:丙寅清夏定夫漫興於清平樓。<br>鈐印:柏巖(白文)。定夫之鈢(朱文)。清平樓主(白文)。&nbsp;<br><br>邱定夫(1947-)生於臺灣苗栗,中國文化大學美術系畢業,兼任於文大美術系。師承嶺南畫派歐豪年教授。用筆及渲染方法接近寫意,兼擅山水造境,能融合古今,兼博東西方技法,筆墨深厚。<br>本幅作品構圖絕奇,張力十足,筆法圓熟洗鍊,荷葉墨色飽滿,與墨筆勾勒之荷花,對印成趣,格調不俗,典雅清麗。", "weight": 18 }, "theme-ij22wt30vz": { "id": "theme-ij22wt30vz", "type": "theme", "sortable": true, "primaryObj": { "oid": "80168daebaf7bf03f2582c5db93752dd", "fileType": "image", "fileURI": "https://openmuseum.tw/files/muse_portal/muse_styles/w1024/mcode/b5f388e4a1f6285c8ed4da4765110dca.jpg?itok=_a0tGeV8", "level": "primary", "title": "儷影成雙知香遠 | A Bird Couple at Lotus Pond", "desc": "黃光男, 1944年生於高雄,曾任台北市立美術館館長、國立歷史博物館館長和國立台灣藝術大學校長等。專長水墨創作、中國美術理論、博物館學行政…等。 本幅夏荷清新,荷花盛開,蓮蓬中橫出,兩隻小鳥相依,儷影成雙,氣氛氤氳,展現水墨畫之獨特韻致。款識:儷影成雙知香遠。辛酉秋黃光男於高雄澄清湖之畔。\r\n鈐印:黃光男印(白文)。兩極畫室(朱文)。塵囂不染明哲客(朱文)。 ", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/b5f388e4a1f6285c8ed4da4765110dca.jpg?itok=MrguyWhg", "thumbMediumURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_medium/mcode/b5f388e4a1f6285c8ed4da4765110dca.jpg?itok=rAN22Y60", "thumbBigURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_big/mcode/b5f388e4a1f6285c8ed4da4765110dca.jpg?itok=ZexVH1Zf", "mfid": "b5f388e4a1f6285c8ed4da4765110dca", "fileCreator": "黃光男 | Huang, Kuang-Nan", "rights": "國立歷史博物館", "rightsLogo": "https://openmuseum.tw/files/muse_portal/styles/square_thumbnail_100/public/default_rights/memder_non-01.png?itok=DszBk5va", "fileLicence": "著作權利所有-可用於本站提供的服務", "fileDisableLink": 0, "fileOversize": false, "background": "https://openmuseum.tw/files/muse_portal/muse_styles/w1920/mcode/b5f388e4a1f6285c8ed4da4765110dca.jpg?itok=X9lGuec4" }, "title": "文人風雅 | Flowers and Birds", "desc": "中國花鳥畫之發展自唐代中期即脫離裝飾藝術主題而成為獨立之畫科,因不同出身畫家與背景而形成「黃家富貴,徐家野逸」二種不同的主要繪畫風格。一種為五代黃荃的勾勒填彩,工筆重彩的畫法;另一則為徐熙為主的水墨淡彩。\n\n<br>Since the mid-Tang Dynasty, Chinese painting of flowers and\nbirds has developed into a separate discipline. One of such examples is Huang Tsuen’s style of outlining and filling in colors, and another is Xu Xi’s style of ink painting using light colors.", "weight": 19 }, "basic-uxfuklh0ja": { "id": "basic-uxfuklh0ja", "type": "basic", "sortable": true, "primaryObj": { "oid": "80f36b51b8f8b196466bc512ae67285c", "fileType": "image", "fileURI": "https://openmuseum.tw/files/muse_portal/muse_styles/w1024/mcode/36bfea935eb8ba15671c06d9d8fa384c.jpg?itok=6ANpoDLP", "level": "primary", "title": "秋塘鵜鶘 | Pelican in Lotus Pond after Autumn Drizzles", "desc": "溥心畬 \nPu Xin-Yu\n紙本 水墨設色\n56 x29 cm \n國立歷史博物館典藏\n\n款識:秋塘新雨過,波際響鵜鶘。心畬。\n鈐印:省心齋(朱文)。溥儒(白文)。\n\n溥儒(1896–1963),原名愛新覺羅•溥儒,字心畬,號西山逸士,為國民政府渡臺後藝術界稱「渡海三家」之一。溥心畬為清朝末代皇族,早年受清宮貴冑教育,性喜文藻,自述中年隱居山林寺院時始透過臨摹皇家珍藏畫卷習畫。繪畫兼有重意境抒發之南宗,亦有宋代馬、夏之北宗風格,能以篆籀畫山水,然其間鉤斫精熟文雅,於筆墨經營中自見風骨。\n畫中荷花與鵜鶘身軀以淡墨勾勒,荷蓬、荷葉與鵜鶘頭部以濃墨暈染而成,線條靈動。\n\n款識:秋塘新雨過,波際響鵜鶘。心畬。\n鈐印:省心齋(朱文)。溥儒(白文)", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/36bfea935eb8ba15671c06d9d8fa384c.jpg?itok=QYUTkfdh", "thumbMediumURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_medium/mcode/36bfea935eb8ba15671c06d9d8fa384c.jpg?itok=QqszAjK8", "thumbBigURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_big/mcode/36bfea935eb8ba15671c06d9d8fa384c.jpg?itok=ik2rt0tK", "background": "https://openmuseum.tw/files/muse_portal/muse_styles/w1920/mcode/36bfea935eb8ba15671c06d9d8fa384c.jpg?itok=B7BfkbkS", "mfid": "36bfea935eb8ba15671c06d9d8fa384c", "fileCreator": "溥心畬 | Pu, Xin-Yu", "rights": "國立歷史博物館", "rightsLogo": "https://openmuseum.tw/files/muse_portal/styles/square_thumbnail_100/public/default_rights/memder_non-01.png?itok=DszBk5va", "fileLicence": "著作權利所有-可用於本站提供的服務", "fileDisableLink": "0", "fileOversize": false }, "title": "秋塘鵜鶘 | Pelican in Lotus Pond after Autumn Drizzles", "desc": "溥心畬 Pu Xin-Yu<br>紙本&nbsp;水墨設色<br>56 x29 cm<br>國立歷史博物館典藏&nbsp;<br>款識:秋塘新雨過,波際響鵜鶘。心畬。<br>鈐印:省心齋(朱文)。溥儒(白文)。&nbsp;<br><br>溥儒(1896–1963),原名愛新覺羅•溥儒,字心畬,號西山逸士,為國民政府渡臺後藝術界稱「渡海三家」之一。溥心畬為清朝末代皇族,早年受清宮貴冑教育,性喜文藻,自述中年隱居山林寺院時始透過臨摹皇家珍藏畫卷習畫。繪畫兼有重意境抒發之南宗,亦有宋代馬、夏之北宗風格,能以篆籀畫山水,然其間鉤斫精熟文雅,於筆墨經營中自見風骨。<br>畫中荷花與鵜鶘身軀以淡墨勾勒,荷蓬、荷葉與鵜鶘頭部以濃墨暈染而成,線條靈動。", "weight": 20 }, "basic-kcwtru8wvt": { "id": "basic-kcwtru8wvt", "type": "basic", "sortable": true, "primaryObj": { "oid": "8e1f82b4d2b867f7dbcd574665588ccf", "fileType": "image", "fileURI": "https://openmuseum.tw/files/muse_portal/muse_styles/w1024/mcode/0289fc798d64141bce90ec08786a0261.jpg?itok=qyKNbfjw", "level": "primary", "title": "錦鯉 | Koi Fish", "desc": "王師子(1885-1950)原名偉,字師梅,四十歲後改名師子,一度寄居上海麥加里,因諧音別署墨稼居士,江蘇句容人。歷任上海美專、中國藝專、新華藝專等國畫教授。治藝謹嚴,花、鳥、魚、蟲,注意寫生。\n王氏擅畫鯉魚,此幅描繪荷塘游魚悠閒情景,用筆用色,施墨佈局,跌宕猶勁,艷而不俗,麗而不浮。款識:雲邊何處消息域上高樓望遠錦帆千里便寫蠻箋囑付綠波錦鯉病酒心清共雅賞藕花香氣。甲申夜夏師子王偉。\n鈐印:句容王偉長壽(白文)。墨翁六十後書畫(朱文)。", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/0289fc798d64141bce90ec08786a0261.jpg?itok=dJLN8b7j", "thumbMediumURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_medium/mcode/0289fc798d64141bce90ec08786a0261.jpg?itok=Ma3NMxoW", "thumbBigURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_big/mcode/0289fc798d64141bce90ec08786a0261.jpg?itok=8jyrxCAl", "background": "https://openmuseum.tw/files/muse_portal/muse_styles/w1920/mcode/0289fc798d64141bce90ec08786a0261.jpg?itok=A7r95-Ht", "mfid": "0289fc798d64141bce90ec08786a0261", "fileCreator": "王師子 | Wang, Shih-Tzu", "rights": "佛光山佛陀紀念館", "rightsLogo": "https://openmuseum.tw/files/muse_portal/styles/square_thumbnail_100/public/default_rights/memder_non-04.png?itok=gq-PTcKL", "fileLicence": "著作權利所有-僅能瀏覽", "fileDisableLink": "0", "fileOversize": false }, "title": "錦鯉 | Koi Fish", "desc": "<span>王師子&nbsp;Wang Shi-Zi<br></span><span>紙本&nbsp;水墨設色<br></span>34x94 cm<br>1944<br>佛光山典藏&nbsp;<br><span><br>款識:雲邊何處消息,試上高樓望遠,錦颿(帆)千里。便寫蠻箋,囑付綠波錦鯉,病洒(灑)心清,共雅賞,藕花香氣。甲申夜夏師子王偉。<br></span>鈐印:句容王偉長壽(白文)。墨翁六十後書畫(朱文)。&nbsp;<br><span><br>王師子(1885-1950)原名偉,字師梅,四十歲後改名師子,一度寄居上海麥加里,因諧音別署墨稼居士,江蘇句容人。歷任上海美專、中國藝專、新華藝專等國畫教授。治藝謹嚴,花、鳥、魚、蟲,注意寫生。<br></span>王氏擅畫鯉魚,此幅描繪荷塘游魚悠閒情景,用筆用色,施墨佈局,跌宕猶勁,豔而不俗,麗而不浮。", "weight": 21 }, "img-yme9n8hwoz": { "id": "img-yme9n8hwoz", "type": "img", "sortable": true, "primaryObj": { "oid": "1284aafdd5d2b7f0a97a823b85deac4e", "fileType": "image", "fileURI": "https://openmuseum.tw/files/muse_portal/muse_styles/w1024/mcode/ca47650584b54211b187db92a872b451.jpg?itok=21gvIFIL", "level": "primary", "title": "「荷花」摺扇 | Lotus on the Folding Fan", "desc": "江明賢,1942年生於台中,畢業於台灣師範大學美術系,畢業後返校擔任美術系教授、系主任、美術研究所所長。創作從寫生出發,加入西方現代藝術的切割重組手法,及拓、印、潑、洒的技法,但始終保持一種高度的人文意境與歷史詩性。\r\n本件扇正面繪荷塘,一潔白荷花扇面下方緩緩舒展,右方一含苞,左方墨色荷葉。摺扇自古為文人墨士貼身配物,除夏日搧風引涼,亦藉此展現個人品味與修養,為文人一種身份、地位、品位的象徵。款識:荷葉生時春恨生,荷葉枯時秋恨成。丙子長夏江明賢隨筆。\r\n鈐印:江(白文)。明賢(朱文)。吉祥(白文)", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/ca47650584b54211b187db92a872b451.jpg?itok=Y08ekgmY", "thumbMediumURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_medium/mcode/ca47650584b54211b187db92a872b451.jpg?itok=fRITsnK0", "thumbBigURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_big/mcode/ca47650584b54211b187db92a872b451.jpg?itok=R-Gq03mC", "mfid": "ca47650584b54211b187db92a872b451", "fileCreator": "江明賢 | Chiang, Ming-Shyan", "rights": "國立歷史博物館", "rightsLogo": "https://openmuseum.tw/files/muse_portal/styles/square_thumbnail_100/public/default_rights/memder_non-03.png?itok=h0rkcAOw", "fileLicence": "著作權利所有-可用於本站提供的服務", "fileDisableLink": 0, "fileOversize": false, "background": "https://openmuseum.tw/files/muse_portal/muse_styles/w1920/mcode/ca47650584b54211b187db92a872b451.jpg?itok=6hi_287y" }, "title": "「荷花」摺扇 | Lotus on the Folding Fan", "desc": "<span>江明賢&nbsp;Chiang Ming-Shyan<br>紙本 水墨&nbsp; &nbsp;<br>30 × 50 cm1996國立歷史博物館館典藏&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;&nbsp;<br>款識:荷葉生時春恨生,荷葉枯時秋恨成。丙子長夏江明賢隨筆。<br>鈐印:江(白文)。明賢(朱文)。吉祥(白文)<br>江明賢(1942-),生於台中,畢業於台灣師範大學美術系,畢業後返校擔任美術系教授、系主任、美術研究所所長。創作從寫生出發,加入西方現代藝術的切割重組手法,及拓、印、潑、灑的技法,但始終保持一種高度的人文意境與歷史詩性。本件扇正面繪荷塘,一潔白荷花扇面下方緩緩舒展,右方一含苞,左方墨色荷葉。摺扇自古為文人墨士貼身配物,除夏日搧風引涼,亦藉此展現個人品味與修養,為文人一種身份、地位、品位的象徵。<br></span>", "weight": 22 }, "basic-swulr3ms9v": { "id": "basic-swulr3ms9v", "type": "basic", "sortable": true, "primaryObj": { "oid": "80168daebaf7bf03f2582c5db93752dd", "fileType": "image", "fileURI": "https://openmuseum.tw/files/muse_portal/muse_styles/w1024/mcode/b5f388e4a1f6285c8ed4da4765110dca.jpg?itok=_a0tGeV8", "level": "primary", "title": "儷影成雙知香遠 | A Bird Couple at Lotus Pond", "desc": "黃光男, 1944年生於高雄,曾任台北市立美術館館長、國立歷史博物館館長和國立台灣藝術大學校長等。專長水墨創作、中國美術理論、博物館學行政…等。 本幅夏荷清新,荷花盛開,蓮蓬中橫出,兩隻小鳥相依,儷影成雙,氣氛氤氳,展現水墨畫之獨特韻致。款識:儷影成雙知香遠。辛酉秋黃光男於高雄澄清湖之畔。\n鈐印:黃光男印(白文)。兩極畫室(朱文)。塵囂不染明哲客(朱文)。", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/b5f388e4a1f6285c8ed4da4765110dca.jpg?itok=MrguyWhg", "thumbMediumURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_medium/mcode/b5f388e4a1f6285c8ed4da4765110dca.jpg?itok=rAN22Y60", "thumbBigURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_big/mcode/b5f388e4a1f6285c8ed4da4765110dca.jpg?itok=ZexVH1Zf", "background": "https://openmuseum.tw/files/muse_portal/muse_styles/w1920/mcode/b5f388e4a1f6285c8ed4da4765110dca.jpg?itok=X9lGuec4", "mfid": "b5f388e4a1f6285c8ed4da4765110dca", "fileCreator": "黃光男 | Huang, Kuang-Nan", "rights": "國立歷史博物館", "rightsLogo": "https://openmuseum.tw/files/muse_portal/styles/square_thumbnail_100/public/default_rights/memder_non-01.png?itok=DszBk5va", "fileLicence": "著作權利所有-可用於本站提供的服務", "fileDisableLink": "0", "fileOversize": false }, "title": "儷影成雙知香遠 | A Bird Couple at Lotus Pond", "desc": "<span>黃光男&nbsp;Huang Kuang-Nan<br></span><span>紙本&nbsp;水墨設色<br>60&nbsp;×<span>&nbsp;81 cm<br></span></span>1981<br>國立歷史博物館館典藏<br><br>款識:儷影成雙知香遠。辛酉秋黃光男於高雄澄清湖之畔。<br>鈐印:黃光男印(白文)。兩極畫室(朱文)。塵囂不染明哲客(朱文)。&nbsp;&nbsp;&nbsp;&nbsp;<br><span><br>黃光男(1944–),生於高雄,曾任臺北市立美術館館長、國立歷史博物館館長、國立臺灣藝術大學校長、行政院政務委員等。專長水墨創作、中國美術理論、博物館學行政,曾獲中華民國畫學會金爵獎、藝術教育貢獻終身成就獎等。<br></span>本幅夏荷清新,荷花盛開,蓮蓬中橫出,兩隻小鳥相依,儷影成雙,氣氛氤氳,展現水墨畫之獨特韻致。", "weight": 23 }, "basic-6piepslib0": { "id": "basic-6piepslib0", "type": "basic", "sortable": true, "primaryObj": { "oid": "7ad88a45afbfe53eef30e908cfde8c0d", "fileType": "image", "fileURI": "https://openmuseum.tw/files/muse_portal/muse_styles/w1024/mcode/5e4d654eeb24ffc17a8eb84043ae9b1d.jpg?itok=n4uJPrbP", "level": "primary", "title": "出淤泥而不染 | Rising Unsullied from the Mud", "desc": "李奇茂(1925–2019),生於安徽渦陽,勤於速寫、素描,人物畫根底深厚,曾創作百幅「國父畫傳」及「史蹟」題材描繪。 \r\n鍾正山(1935-)生於馬來西亞,祖籍廣東梅縣。畢業於新加坡南洋藝術專科學院藝術教育系,美國舊金山大學公共行政管理系碩士。先後創辦了5所藝術學院,對馬來西亞現代藝術教育貢獻卓著。本幅畫作由李奇茂與鍾正山二位畫家合作,筆墨沉穩,畫面錯落有致,畫風清逸高雅,展現蓮池自然清幽之景。款識:鍾正山植荷佛光山香天下。癸巳之春李奇茂讀畫心得。\r\n出淤泥而不染。癸巳春寫於佛光山。正山。\r\n鈐印:正山(白文)。", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/5e4d654eeb24ffc17a8eb84043ae9b1d.jpg?itok=mg29lqOv", "thumbMediumURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_medium/mcode/5e4d654eeb24ffc17a8eb84043ae9b1d.jpg?itok=JXGnYLZn", "thumbBigURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_big/mcode/5e4d654eeb24ffc17a8eb84043ae9b1d.jpg?itok=aAy4qYjq", "mfid": "5e4d654eeb24ffc17a8eb84043ae9b1d", "fileCreator": "李奇茂/鍾正山 | Lee, Chi-Mao/ Chung, Chen-Sun", "rights": "佛光山佛陀紀念館", "rightsLogo": "https://openmuseum.tw/files/muse_portal/styles/square_thumbnail_100/public/default_rights/memder_non-01.png?itok=DszBk5va", "fileLicence": "著作權利所有-可用於本站提供的服務", "fileDisableLink": 0, "fileOversize": false, "background": "https://openmuseum.tw/files/muse_portal/muse_styles/w1920/mcode/5e4d654eeb24ffc17a8eb84043ae9b1d.jpg?itok=ybDQrir4" }, "title": "出淤泥而不染 | Rising Unsullied from the Mud", "desc": "<span>李奇茂 鍾正山&nbsp;Lee Chi-Mao, Chung Chen-Sun<br>紙本 水墨<br>138x139 cm<br>2013<br>佛光山典藏<br>款識:鍾正山植荷佛光山香天下。癸巳之春李奇茂讀畫心得。出淤泥而不染。癸巳春寫於佛光山。正山。<br>鈐印:正山(白文)。<br>李奇茂(1925–2019),生於安徽渦陽。於家鄉期間,曾與陸化石習畫;來臺後,入政工幹校美術系,師事梁鼎銘昆仲,期間勤於速寫、畫素描,培養了人物畫的深厚根底。1971年接受國立歷史博物館的特約,創作百幅「國父傳」系列,1981年與張大千、黃君璧、張榖年、胡克敏、范伯洪、羅芳、蘇峰男、羅振賢、蔡友等水墨畫家以近半年時間合力創作完成「寶島長春圖卷」。2012年應邀與鍾正山在國立歷史博物館雙個展。鍾正山(1935–)生於馬來西亞,祖籍廣東梅縣。畢業於新加坡南洋藝術專科學院藝術教育系,美國舊金山大學公共行政管理系碩士。先後在馬來西亞及中國創辦了5所藝術與設計學院,並發起「國際現代水墨畫聯盟」,對馬來西亞現代藝術教育及臺灣現代水墨畫貢獻卓著。本幅畫作由李奇茂與鍾正山二位畫家合作,筆墨 沉穩,畫面錯落有致,畫風清逸高雅,展現蓮池 自然清幽之景。本幅畫作由李奇茂與鍾正山二位畫家合作,筆墨沉穩,畫面錯落有致,畫風清逸高雅,展現蓮池自然清幽之景。<br><br></span>", "weight": 24 }, "theme-em21n9nxmh": { "id": "theme-em21n9nxmh", "type": "theme", "sortable": true, "primaryObj": { "oid": "32ce2167072fe66c0c919f500518fff4", "fileType": "image", "fileURI": "https://openmuseum.tw/files/muse_portal/muse_styles/w1024/mcode/c936c50dcb23159bddb6247c89bd5be3.jpg?itok=i8Dyj0lf", "level": "primary", "title": "荷花 | Lotus", "desc": "常玉(1901–1966),生於中國四川順慶,簡潔有力線條、造形、輪廓呈現個人風格,繪畫造形簡練、色彩單純,裸女、花卉、有動物風景為創作主題。 本幅黑色線條勾勒白荷,具傳統水墨,荷葉大塊銘黃,花莖排列疏落,彷彿微風中搖曳,和諧安靜,構圖簡潔嚴謹,表現荷花高雅姿態。款識:(無)\r\n鈐印:(無)", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/c936c50dcb23159bddb6247c89bd5be3.jpg?itok=TFf2hHz9", "thumbMediumURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_medium/mcode/c936c50dcb23159bddb6247c89bd5be3.jpg?itok=bnEkN1Xl", "thumbBigURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_big/mcode/c936c50dcb23159bddb6247c89bd5be3.jpg?itok=FNhshDvd", "mfid": "c936c50dcb23159bddb6247c89bd5be3", "fileCreator": "", "rights": "國立歷史博物館", "rightsLogo": "https://openmuseum.tw/files/muse_portal/styles/square_thumbnail_100/public/default_rights/memder_non-03.png?itok=h0rkcAOw", "fileLicence": "公眾領域標章(Public Domain Mark)", "fileDisableLink": 0, "fileOversize": false, "background": "https://openmuseum.tw/files/muse_portal/muse_styles/w1920/mcode/c936c50dcb23159bddb6247c89bd5be3.jpg?itok=dbB8Kmxt" }, "title": "東西風情 | Convergence of East and West", "desc": "<span>在中國與臺灣現代藝術發展歷程佔有重要位置者如徐悲鴻、林風 眠、潘玉良、常玉、劉海粟、李仲生等,於1920~30年代先後赴抵法 國、日本學習藝術,吸取西方藝術精華,亟欲為傳統書畫尋求破格 表現,以中國繪畫現代化的時代命題作為身為藝術家及當代文人一 分子的社會責任,留下對後輩深遠的影響。受西洋美術教育影響下的藝術家,仍有許多創作者強調現代藝術 與傳統文化內涵的內在聯繫共通性,不論其創作形式、媒材是水墨 或西畫,傳統文人對於題材的選擇,色彩、線條的運用等特質,也 常反映在藝術家的創作之上。豐富多樣的現、當代荷花主題作品,在西方的媒材運用及可資辨 認的藝術風格表象下,加入了人文性的內容,使得現代藝術觀點又 和緩地回歸中國文人美學涵養的精神面貌。可說是補足了傳統與現 代的空白,也融會了東方與西方共通的人文性格。In the 1920s and 1930s, Xu Bei-Hong, Lin Feng-Mian, Pan Yu-Liang, San Yu, Liu Hai-Su, and Li Zhong-Sheng, who played important roles in the development of modern art in China and Taiwan, went to France and Japan to pursue further studies in art. These artists had left a profound influence on their successors.Many artists, under the influence of Western art, emphasize the intrinsic connection between modern art and traditional culture. Regardless of the form and medium of their creations, the selection of the subject and the use of colors and lines by traditional literati are often reflected in these artists’ creations.Under the influence of Western media and artistic style, the rich variety of modern and contemporary lotus artworks adds a humanistic content to reconnect Chinese aesthetics. These artworks fill the gap between tradition and modernity and integrate the humanistic character common to both the East and the West.<div><br></div></span>", "weight": 25 }, "basic-47elgfnadr": { "id": "basic-47elgfnadr", "type": "basic", "sortable": true, "primaryObj": { "oid": "0627ba47c5adc1ffde2f77dd64f434db", "fileType": "image", "fileURI": "https://openmuseum.tw/files/muse_portal/muse_styles/w1024/mcode/93622a1f79c797b7614426ce57689b72.jpg?itok=rT4oy0np", "level": "primary", "title": "荷 | Lotus", "desc": "常玉(1901–1966),生於中國四川順慶,簡潔有力線條、造形、輪廓呈現個人風格,繪畫造形簡練、色彩單純,裸女、花卉、有動物風景為創作主題。 本幅西方媒材繪荷,盆景荷花,姿態秀麗柔美,造形優雅,枝梗精練線條一筆畫成,流暢有力,整體設色高雅。款識:(無)\r\n鈐印:(無)", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/93622a1f79c797b7614426ce57689b72.jpg?itok=YO7BFadt", "thumbMediumURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_medium/mcode/93622a1f79c797b7614426ce57689b72.jpg?itok=kVgAZi0w", "thumbBigURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_big/mcode/93622a1f79c797b7614426ce57689b72.jpg?itok=2_o_-pWv", "mfid": "93622a1f79c797b7614426ce57689b72", "fileCreator": "常玉 | San, Yu", "rights": "國立歷史博物館", "rightsLogo": "https://openmuseum.tw/files/muse_portal/styles/square_thumbnail_100/public/default_rights/memder_non-02.png?itok=fGKM5I0r", "fileLicence": "著作權利所有-可用於本站提供的服務", "fileDisableLink": 0, "fileOversize": false, "background": "https://openmuseum.tw/files/muse_portal/muse_styles/w1920/mcode/93622a1f79c797b7614426ce57689b72.jpg?itok=drUHxMjS" }, "title": "荷 | Lotus", "desc": "<span>常玉&nbsp;San Yu<br>油彩 纖維板<br>131 x81 cm<br>1955<br>國立歷史博物館館典藏<br><br>款識:玉 SANYU<br>常玉(1901–1966),生於中國四川順慶(1935年改名南充),自幼在故鄉隨父親習畫,之後向書法家趙熙(1867–1948)習字,1921年因「勤工儉學」計畫前往巴黎,是早期留法學習藝術創作的中國畫家之一。他的作品融合了中國與西方藝術特色,經常利用簡潔有力的線條、造形與輪廓呈現獨特的個人風格,繪畫造形簡練、色彩單純,裸女、植物花卉、有動物的風景為其三大創作主題。本幅以西方的媒材來描繪中國畫家很喜歡取材的對象— 荷花,因其有「出淤泥而不染」之美譽,是人格高尚的象徵,又「荷」與「合」諧音,具有「百年好合」之意。此幅荷花栽植於盆景內,生長姿態秀麗柔美,造形優雅,枝梗以精練的線條一筆畫成,流暢又有力量,整體設色高雅。<div><br></div></span>", "weight": 26 }, "basic-1icz616n1g": { "id": "basic-1icz616n1g", "type": "basic", "sortable": true, "primaryObj": { "oid": "c5632cae4338bc0707c5651212bf00b8", "fileType": "image", "fileURI": "https://openmuseum.tw/files/muse_portal/muse_styles/w1024/mcode/0204bedd7baf2349b893d95fd5c40c83.jpg?itok=joUKstaQ", "level": "primary", "title": "荷 | Lotus", "desc": "趙二呆(1916–1995),本名同和,字中平,江蘇鎮江人,畫無師承,無固定技法與素材,不受傳統或潮流影響,畫風寫實轉寫意,畫作融合書法,任筆墨遊走,自成一格。 本幅描繪荷花,濃淡有致圓弧荷葉,墨色濕潤淋漓,荷葉下方數道淡墨荷莖,由長至短,無根的荷留白,構圖簡約輕逸,呈現詩意,激發想像。款識:二呆。\r\n鈐印:呆呆(白文)。", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/0204bedd7baf2349b893d95fd5c40c83.jpg?itok=pjn-ZZ4T", "thumbMediumURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_medium/mcode/0204bedd7baf2349b893d95fd5c40c83.jpg?itok=cFwQznNG", "thumbBigURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_big/mcode/0204bedd7baf2349b893d95fd5c40c83.jpg?itok=SKQ6nAeP", "mfid": "0204bedd7baf2349b893d95fd5c40c83", "fileCreator": "趙二呆 | Chau, Er-Dai", "rights": "國立歷史博物館", "rightsLogo": "https://openmuseum.tw/files/muse_portal/styles/square_thumbnail_100/public/default_rights/memder_non-03.png?itok=h0rkcAOw", "fileLicence": "著作權利所有-可用於本站提供的服務", "fileDisableLink": 0, "fileOversize": false, "background": "https://openmuseum.tw/files/muse_portal/muse_styles/w1920/mcode/0204bedd7baf2349b893d95fd5c40c83.jpg?itok=7GwREHXd" }, "title": "荷 | Lotus", "desc": "<span>趙二呆 Chau Er-Dai<br>紙本 水墨<br>89 x 48.3 cm<br>國立歷史博物館館典藏<br><br>款識:二呆。<br>鈐印:呆呆(白文)。<br>趙二呆(1916-1995),本名同和,字中平,江蘇鎮江人,畫無師承,無固定技法與素材,不受傳統或潮流影響,畫風寫實轉寫意,畫作融合書法,任筆墨遊走,自成一格。&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; <br><br>本幅描繪荷花,濃淡有致圓弧荷葉,墨色濕潤淋漓,荷葉下方數道淡墨荷莖,由長至短,無根的荷留白,構圖簡約輕逸,呈現詩意,激發想像。</span>", "weight": 27 }, "basic-5xn38w3ilm": { "id": "basic-5xn38w3ilm", "type": "basic", "sortable": true, "primaryObj": { "oid": "38af2d9ba34e12aaa4c8c2de03d50406", "fileType": "image", "fileURI": "https://openmuseum.tw/files/muse_portal/muse_styles/w1024/mcode/6da476e8f3fc7bc174d563add5d40195.jpg?itok=QkiKgzMu", "level": "primary", "title": "荷花 | Lotus", "desc": "管執中,筆名江沙,1931年生於中國河南經扶,其繪畫筆在意先、大片墨色塊營造空間感、線條化約為象徵符號,富有概念抽象的形象表達。 本幅畫心大面積、略淡墨色色塊描繪湖面,濃墨與綠彩精簡荷葉形體與輪廓,綠彩繪出繽紛雨點。大片留白與墨塊,間點綴荷葉,構圖疏落有致不凌亂,充滿墨趣。款識:管執中。1991。\n鈐印:執中(朱文)。中(肖形)", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/6da476e8f3fc7bc174d563add5d40195.jpg?itok=ioPGheLl", "thumbMediumURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_medium/mcode/6da476e8f3fc7bc174d563add5d40195.jpg?itok=nkp4G_Zu", "thumbBigURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_big/mcode/6da476e8f3fc7bc174d563add5d40195.jpg?itok=fciHVrzr", "background": "https://openmuseum.tw/files/muse_portal/muse_styles/w1920/mcode/6da476e8f3fc7bc174d563add5d40195.jpg?itok=kt9BJpX5", "mfid": "6da476e8f3fc7bc174d563add5d40195", "fileCreator": "管執中 |", "rights": "國立歷史博物館", "rightsLogo": "https://openmuseum.tw/files/muse_portal/styles/square_thumbnail_100/public/default_rights/memder_non-03.png?itok=h0rkcAOw", "fileLicence": "著作權利所有-可用於本站提供的服務", "fileDisableLink": "0", "fileOversize": false }, "title": "荷花 | Lotus", "desc": "管執中Kuan Chih-Chung&nbsp;<br><span><br>紙本&nbsp;水墨<br>50&nbsp;×<span>&nbsp;130 cm<br></span></span>1991<br>國立歷史博物館館典藏&nbsp;<br><span><br>款識:管執中。1991。<br></span>鈐印:執中(朱文)。中(肖形)。&nbsp;<br><span><br>管執中(1931-1995),筆名江沙,生於中國河南經扶,1949來台後,就讀於政戰學校藝術系,1953-1964年間,師從李仲生先生研習西洋畫論,並從事素描、油畫等實驗創作。其繪畫筆在意先、大片墨色塊營造空間感、線條化約為象徵符號,富有概念抽象的形象表達。<br>本幅畫心大面積、略淡墨色色塊描繪湖面,濃墨與綠彩精簡荷葉形體與輪廓,綠彩繪出繽紛雨點。大片留白與墨塊,間點綴荷葉,構圖疏落有致不凌亂,充滿墨趣。</span>&nbsp;", "weight": 28 }, "basic-zfl9c9vnv7": { "id": "basic-zfl9c9vnv7", "type": "basic", "sortable": true, "primaryObj": { "oid": "87bf099fb1809720919c2d64d4c8fb36", "fileType": "image", "fileURI": "https://openmuseum.tw/files/muse_portal/muse_styles/w1024/mcode/ded77c0f247a14fb720c48ce3a3436b6.jpg?itok=k0y2UGUR", "level": "primary", "title": "蓮影 | Shadows of Lotuses", "desc": "席慕蓉1943年生於重慶,成長於台灣,祖籍蒙古。畢業於國立台灣師範大學及布魯塞爾皇家藝術學院,曾任教新竹師院、東海大學美術系,專攻油畫兼習版畫,荷花則是她做喜愛的創作主題。以現代散文和詩作知名。\n本件化作主要表現荷葉及池中產生的光影,僅以荷葉數片布局在畫面的不同位置形成構圖,並利用荷桿的垂直線條加以平衡,以此鋪陳水面的荷影,荷葉以沉靜的藍綠色表現,其他則運用大量不同深淺的棕色,增添作品靜謐的詩意。款識:J. HSI,1980。\n鈐印:(無)", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/ded77c0f247a14fb720c48ce3a3436b6.jpg?itok=84FEIx36", "thumbMediumURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_medium/mcode/ded77c0f247a14fb720c48ce3a3436b6.jpg?itok=EErC8kDC", "thumbBigURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_big/mcode/ded77c0f247a14fb720c48ce3a3436b6.jpg?itok=horKRi1F", "background": "https://openmuseum.tw/files/muse_portal/muse_styles/w1920/mcode/ded77c0f247a14fb720c48ce3a3436b6.jpg?itok=RSBFmcuu", "mfid": "ded77c0f247a14fb720c48ce3a3436b6", "fileCreator": "席慕蓉 | Hsi, Mu-Jung", "rights": "國立歷史博物館", "rightsLogo": "https://openmuseum.tw/files/muse_portal/styles/square_thumbnail_100/public/default_rights/memder_non-05.png?itok=0rVBS4da", "fileLicence": "著作權利所有-可用於本站提供的服務", "fileDisableLink": "0", "fileOversize": false }, "title": "蓮影 | Shadows of Lotuses", "desc": "<span>席慕蓉&nbsp;Hsi Mu-Jung<br></span><span><br>畫布&nbsp;油彩<br></span>95.5 x129 cm<br>1980<br>國立歷史博物館典藏&nbsp;<br><span><br>款識:J. HSI,1980。</span>&nbsp;<br><span><br>席慕蓉(1943-),生於重慶,成長於台灣,祖籍蒙古。畢業於國立台灣師範大學及布魯塞爾皇家藝術學院,曾任教新竹師院、東海大學美術系,專攻油畫兼習版畫,荷花則是她做喜愛的創作主題。以現代散文和詩作知名。<br></span>本件化作主要表現荷葉及池中產生的光影,僅以荷葉數片布局在畫面的不同位置形成構圖,並利用荷桿的垂直線條加以平衡,以此鋪陳水面的荷影,荷葉以沉靜的藍綠色表現,其他則運用大量不同深淺的棕色,增添作品靜謐的詩意。", "weight": 29 }, "basic-6chjex93tx": { "id": "basic-6chjex93tx", "type": "basic", "sortable": true, "primaryObj": { "oid": "4f9b8a994e718c8172cf0a93849f6f02", "fileType": "image", "fileURI": "https://openmuseum.tw/files/muse_portal/muse_styles/w1024/mcode/61b7738c8a3c3d2b04d5b1cb9a01028a.jpg?itok=Rv2u0ZSq", "level": "primary", "title": "意荷 | Lotus", "desc": "蘇憲法 Su Hsien-Fa\n油彩 畫布\n80 x 116.5 cm\n2017\n國立歷史博物館典藏\n\n款識:蘇憲法 2017\n\n蘇憲法(1948-)台灣嘉義布袋人 ,國立台灣師範大學美術研究所碩士,曾任國立台灣師範大學美術系主任兼研究所所長、英國London Metropolitan University 訪問學者,現為國立台灣師範大學美術系名譽教授、台南市美術館董事長。\n本幅畫作描寫荷塘意象,筆法細緻,肌理雄渾,畫境豐盈卻又靜寂,物性又兼具詩意,展現繪畫純粹、對比的意象宇宙,在西方油彩裡開創獨具一格之東方人文圖景。", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/61b7738c8a3c3d2b04d5b1cb9a01028a.jpg?itok=5hEvKCXp", "thumbMediumURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_medium/mcode/61b7738c8a3c3d2b04d5b1cb9a01028a.jpg?itok=miPgJYyy", "thumbBigURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_big/mcode/61b7738c8a3c3d2b04d5b1cb9a01028a.jpg?itok=xQ5B9GO1", "background": "https://openmuseum.tw/files/muse_portal/muse_styles/w1920/mcode/61b7738c8a3c3d2b04d5b1cb9a01028a.jpg?itok=KPpF3mKf", "mfid": "61b7738c8a3c3d2b04d5b1cb9a01028a", "fileCreator": "蘇憲法 Su Hsien-Fa", "rights": "國立歷史博物館", "rightsLogo": "https://openmuseum.tw/files/muse_portal/styles/square_thumbnail_100/public/default_rights/memder_non-04.png?itok=gq-PTcKL", "fileLicence": "著作權利所有-可用於本站提供的服務", "fileDisableLink": "0", "fileOversize": false }, "title": "意荷 | Lotus", "desc": "<span>蘇憲法&nbsp;Su Hsien-Fa<br></span><span>油彩&nbsp;畫布<br></span>80 x 116.5 cm<br>2017<br>國立歷史博物館典藏&nbsp;<br><span><br>款識:蘇憲法&nbsp;2017</span>&nbsp;<br><span><br>蘇憲法(1948-)台灣嘉義布袋人&nbsp;,國立台灣師範大學美術研究所碩士,曾任國立台灣師範大學美術系主任兼研究所所長、英國London Metropolitan University&nbsp;訪問學者,現為國立台灣師範大學美術系名譽教授、台南市美術館董事長。<br></span>本幅畫作描寫荷塘意象,筆法細緻,肌理雄渾,畫境豐盈卻又靜寂,物性又兼具詩意,展現繪畫純粹、對比的意象宇宙,在西方油彩裡開創獨具一格之東方人文圖景。", "weight": 30 }, "embed_html-10s6epro9b": { "id": "embed_html-10s6epro9b", "type": "embed_html", "sortable": true, "weight": 31, "embed_html": "<iframe width=\"560\" height=\"315\" src=\"https://www.youtube.com/embed/sya3xjQLPbA\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen></iframe>" }, "thanks": { "id": "thanks", "type": "thanks", "sortable": false, "thanksList": { "國立歷史博物館": { "rights": "國立歷史博物館", "rightsLogo": "https://openmuseum.tw/files/muse_portal/styles/square_thumbnail_100/public/default_rights/memder_non-01.png?itok=DszBk5va", "obj": [ "750b5c01dc653b5748404ae4f50d044e", "036f4dd43f8606bf05a54c7406a8e78e", "2ed40812679c4e2b64bb9a52d0b12b42", "25763c77c5356823e692a863239243db", "c61af41cc9787ec603e7b175adb34f96", "8871febe1bb7354dfe06d51ae6e00486", "1dc04ca77f24c752b611ebc40d048fb6", "df2431d389b3d01e2de4bfbacaa3c21d", "2cbe76be5658c8fe5b6c763f25d6192f", "80168daebaf7bf03f2582c5db93752dd", "80f36b51b8f8b196466bc512ae67285c", "1284aafdd5d2b7f0a97a823b85deac4e", "32ce2167072fe66c0c919f500518fff4", "0627ba47c5adc1ffde2f77dd64f434db", "c5632cae4338bc0707c5651212bf00b8", "38af2d9ba34e12aaa4c8c2de03d50406", "87bf099fb1809720919c2d64d4c8fb36", "4f9b8a994e718c8172cf0a93849f6f02" ], "objNum": 18 }, "佛光山佛陀紀念館": { "rights": "佛光山佛陀紀念館", "rightsLogo": "https://openmuseum.tw/files/muse_portal/styles/square_thumbnail_100/public/default_rights/memder_non-02.png?itok=fGKM5I0r", "obj": [ "d065b5216c96ae4145ab6d26d942e535", "a479ee5621b65b6b6c025cbcb2e01381", "19332c7dce42aecad92a55f52492f69f", "a40feb266784956b5981db05df19c814", "8e1f82b4d2b867f7dbcd574665588ccf", "7ad88a45afbfe53eef30e908cfde8c0d" ], "objNum": 6 }, "佛陀紀念館": { "rights": "佛陀紀念館", "rightsLogo": "https://openmuseum.tw/files/muse_portal/styles/square_thumbnail_100/public/default_rights/memder_non-04.png?itok=gq-PTcKL", "obj": [ "52f6d0cf0b7a96e9e157408588ef3e59" ], "objNum": 1 }, "歐豪年文化基金會": { "rights": "歐豪年文化基金會", "rightsLogo": "https://openmuseum.tw/files/muse_portal/styles/square_thumbnail_100/public/default_rights/memder_non-02.png?itok=fGKM5I0r", "obj": [ "c5284145394197eec84e4821e0f1a461", "ca6298b7fa6528057103c9fd0ad482c0" ], "objNum": 2 }, "嶺南美術館": { "rights": "嶺南美術館", "rightsLogo": "https://openmuseum.tw/files/muse_portal/styles/square_thumbnail_100/public/default_rights/memder_non-05.png?itok=0rVBS4da", "obj": [ "b5bc43bdb23f84eb64d7a792e22ea83d" ], "objNum": 1 }, "華岡博物館": { "rights": "華岡博物館", "rightsLogo": "https://openmuseum.tw/files/muse_portal/styles/square_thumbnail_100/public/default_rights/memder_non-04.png?itok=gq-PTcKL", "obj": [ "d83b50805256606b10403d4ec76e4b75" ], "objNum": 1 } }, "objList": { "750b5c01dc653b5748404ae4f50d044e": { "oid": "750b5c01dc653b5748404ae4f50d044e", "fileType": "image", "fileURI": "https://openmuseum.tw/files/muse_portal/muse_styles/w1024/mcode/df1b77170a747493047d78fb02f64ff7.jpg?itok=muxthEnE", "level": "bg", "title": "墨荷 | Lotus in Ink", "desc": "張大千(1899–1983),原名張正權,號大千,別號大千居士,四川內江人。其精鍳別,富收藏,善詩文書畫與金石篆刻。 本幅細筆勾勒朵朵荷花,造型俯仰生姿,荷葉濃墨渲染,肌理清晰。全畫既表現出夏日的荷塘風情,亦見筆墨淋漓盡致與豐富變化。款識:白板小橋通碧塘,無欄無檻鏡中央。野香留客晚還立,三十六鷗世界涼。乙巳二月望日,子杰四弟自歐洲視予巴西瀕行,為寫此。爰。\r\n鈐印:大風堂(朱文)。乙巳(朱文)。三千(白文)。大千父(朱文)", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/df1b77170a747493047d78fb02f64ff7.jpg?itok=-exxVyhn", "thumbMediumURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_medium/mcode/df1b77170a747493047d78fb02f64ff7.jpg?itok=D7118XLO", "thumbBigURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_big/mcode/df1b77170a747493047d78fb02f64ff7.jpg?itok=fyEZ11YH", "background": "https://openmuseum.tw/files/muse_portal/muse_styles/w1920/mcode/df1b77170a747493047d78fb02f64ff7.jpg?itok=CiP0ZF7F", "mfid": "df1b77170a747493047d78fb02f64ff7", "fileCreator": "張大千 | Chang, Dai-Chien", "rights": "國立歷史博物館", "rightsLogo": "https://openmuseum.tw/files/muse_portal/styles/square_thumbnail_100/public/default_rights/memder_non-01.png?itok=DszBk5va", "fileLicence": "著作權利所有-可用於本站提供的服務", "fileDisableLink": 0, "fileOversize": false }, "036f4dd43f8606bf05a54c7406a8e78e": { "oid": "036f4dd43f8606bf05a54c7406a8e78e", "fileType": "image", "fileURI": "https://openmuseum.tw/files/muse_portal/muse_styles/w1024/mcode/e09054d40195c05044ca06468dde6d10.jpg?itok=Qx-lt7zO", "level": "primary", "title": "潑墨荷花 | Lotus in Splashed-Ink Style", "desc": "張大千(1899–1983),原名張正權,號大千,別號大千居士,四川內江人。其精鍳別,富收藏,善詩文書畫與金石篆刻。 本幅潑墨與潑彩法大片渲染,幾不視物象,僅微用墨筆點寫花瓣水草,水氣瀰漫躍然紙上。款識:多謝浣紗人未折,雨中留得蓋鴛鴦。爰翁。\r\n鈐印:乙巳(朱文)。大千惟印大年(朱文)", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/e09054d40195c05044ca06468dde6d10.jpg?itok=UwSFDwe4", "thumbMediumURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_medium/mcode/e09054d40195c05044ca06468dde6d10.jpg?itok=SEbMOktb", "thumbBigURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_big/mcode/e09054d40195c05044ca06468dde6d10.jpg?itok=b1lYQ9dN", "mfid": "e09054d40195c05044ca06468dde6d10", "fileCreator": "張大千 | Chang, Dai-Chien", "rights": "國立歷史博物館", "rightsLogo": "https://openmuseum.tw/files/muse_portal/styles/square_thumbnail_100/public/default_rights/memder_non-03.png?itok=h0rkcAOw", "fileLicence": "著作權利所有-可用於本站提供的服務", "fileDisableLink": 0, "fileOversize": false, "background": "https://openmuseum.tw/files/muse_portal/muse_styles/w1920/mcode/e09054d40195c05044ca06468dde6d10.jpg?itok=OF9yuW8q" }, "d065b5216c96ae4145ab6d26d942e535": { "oid": "d065b5216c96ae4145ab6d26d942e535", "fileType": "image", "fileURI": "https://openmuseum.tw/files/muse_portal/muse_styles/w1024/mcode/2d264fb6b4cd56bd2a8d606dca993ce8.jpg?itok=fEzmhK8L", "level": "primary", "title": "墨荷 | Lotus in Ink", "desc": "張大千(1899–1983),原名張正權,號大千,別號大千居士,四川內江人。其精鍳別,富收藏,善詩文書畫與金石篆刻。\r\n張大千1940年代遠赴敦煌莫高窟臨摹壁畫之後,畫風由早年的清逸而有大幅的轉向與調整。本幅畫作以構圖最為突出,白色花朵半掩藏匿於荷葉之後,全幅雖然以墨色為主未見賦彩,卻更顯荷花高逸清雅之氣質。款識:人品誰如花澹蕩,文心可似藕玲瓏,露筋祠外好風景,只有漁洋句最工。甲申秋日似,立庵仁兄方豪正之。大千居士張爰大風堂下。\r\n鈐印:張爰(朱文)。張大千(白文)。", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/2d264fb6b4cd56bd2a8d606dca993ce8.jpg?itok=Vmp3UfjV", "thumbMediumURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_medium/mcode/2d264fb6b4cd56bd2a8d606dca993ce8.jpg?itok=KSOGIGsS", "thumbBigURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_big/mcode/2d264fb6b4cd56bd2a8d606dca993ce8.jpg?itok=7n0YSyta", "mfid": "2d264fb6b4cd56bd2a8d606dca993ce8", "fileCreator": "張大千 | Chang, Dai-Chien", "rights": "佛光山佛陀紀念館", "rightsLogo": "https://openmuseum.tw/files/muse_portal/styles/square_thumbnail_100/public/default_rights/memder_non-02.png?itok=fGKM5I0r", "fileLicence": "著作權利所有-可用於本站提供的服務", "fileDisableLink": 0, "fileOversize": false, "background": "https://openmuseum.tw/files/muse_portal/muse_styles/w1920/mcode/2d264fb6b4cd56bd2a8d606dca993ce8.jpg?itok=S5RlJw1P" }, "52f6d0cf0b7a96e9e157408588ef3e59": { "oid": "52f6d0cf0b7a96e9e157408588ef3e59", "fileType": "image", "fileURI": "https://openmuseum.tw/files/muse_portal/muse_styles/w1024/mcode/778afddc9549f9708ac0278de3dc775e.jpg?itok=Dee2__3X", "level": "primary", "title": "荷花 | Lotus ", "desc": "張大千(1899–1983),原名張正權,號大千,別號大千居士,四川內江人。其精鍳別,富收藏,善詩文書畫與金石篆刻。\r\n本幅描寫仲夏雨歇荷塘風情,大千以精到的筆法與大氣宏偉的構圖,展現晚年氣氳萬千的水墨世界,流瀉夏季荷池無限的清麗風光。款識:兩村姊妹一般嬌,同住青溪隔小橋。相約采蓮期早至,來遲罰取蕩蘭橈。六十九年夏仲雨過暑遏弄筆為快八十二叟爰。\r\n鈐印:庚申(朱文)。摩耶精舍(朱文)。大千豪髮(朱文)。己亥己巳戊寅辛酉(白文)。張爰之印(白文)。大千居士(朱文) ", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/778afddc9549f9708ac0278de3dc775e.jpg?itok=hPCjchEb", "thumbMediumURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_medium/mcode/778afddc9549f9708ac0278de3dc775e.jpg?itok=YwMR1kjD", "thumbBigURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_big/mcode/778afddc9549f9708ac0278de3dc775e.jpg?itok=2x68olRF", "mfid": "778afddc9549f9708ac0278de3dc775e", "fileCreator": "張大千 | Chang, Dai-Chien", "rights": "佛陀紀念館", "rightsLogo": "https://openmuseum.tw/files/muse_portal/styles/square_thumbnail_100/public/default_rights/memder_non-04.png?itok=gq-PTcKL", "fileLicence": "著作權利所有-可用於本站提供的服務", "fileDisableLink": 0, "fileOversize": false, "background": "https://openmuseum.tw/files/muse_portal/muse_styles/w1920/mcode/778afddc9549f9708ac0278de3dc775e.jpg?itok=YdBh-n92" }, "2ed40812679c4e2b64bb9a52d0b12b42": { "oid": "2ed40812679c4e2b64bb9a52d0b12b42", "title": "荷花 | Lotus", "desc": "孫雲生(1918–2000),大風堂傳人,生於河北,追隨張大千,情誼如父子。其工筆、寫意、潑墨、潑彩運用自如,題畫法書更得大千筆意。本幅潑墨筆意揮灑,大寫意沒骨法描繪夏日荷塘景致。空氣清澈,荷葉若舞,荷花漸次開放,墨葉清新,花白宜人。 水墨暈染細潤,花朵空靈,葉筋脈絡分明,呈顯出淤泥而不染品格。交融光影躍動,明暗效果明顯。款識:方池留水勝埋盆,露入蓮腮沁粉痕。 鈴索無聲人不到,小禽飛入閙荷根。七十二年癸亥七月植物園荷花盛開,國立歷史博物館舉辦畫荷示範予應邀於該館遵彭廳揮毫半旬鐘,草草寫成二幅。孫雲生家瑞。\r\n鈐印:孫家瑞印(白文)。雲生長壽(朱文)。福德長壽(白文)。五峰園知年(朱文)。", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/8e0e5cab270dcb746900931e758aa7be.jpg?itok=mMYA-Aj9", "thumbMediumURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_medium/mcode/8e0e5cab270dcb746900931e758aa7be.jpg?itok=PmnAQaXq", "thumbBigURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_big/mcode/8e0e5cab270dcb746900931e758aa7be.jpg?itok=5J-og2iu", "mfid": "8e0e5cab270dcb746900931e758aa7be", "fileURI": "https://openmuseum.tw/files/muse_portal/muse_styles/w1024/mcode/8e0e5cab270dcb746900931e758aa7be.jpg?itok=Mx-WgOqY", "fileType": "image", "fileCreator": "", "rights": "國立歷史博物館", "rightsLogo": "https://openmuseum.tw/files/muse_portal/styles/square_thumbnail_100/public/default_rights/memder_non-03.png?itok=h0rkcAOw", "fileLicence": "著作權利所有-僅能瀏覽", "fileDisableLink": 0, "fileOversize": false, "level": "primary", "background": "https://openmuseum.tw/files/muse_portal/muse_styles/w1920/mcode/8e0e5cab270dcb746900931e758aa7be.jpg?itok=-3gw5wZe" }, "25763c77c5356823e692a863239243db": { "oid": "25763c77c5356823e692a863239243db", "fileType": "image", "fileURI": "https://openmuseum.tw/files/muse_portal/muse_styles/w1024/mcode/c0c670e2a72f8c293fcf3f80669ac74b.jpg?itok=zfzkl4ED", "level": "primary", "title": "荷塘清趣 | Lotus Pond", "desc": "孫家勤(1930–2010),字野耘,籍山東。1956年就讀國立台灣師範大學美術系,習傳統繪畫、水彩、油畫等技法;1963年入張大千先生門下,大千先生視為「關門弟子」。 本幅主題荷花,以彩墨渲染,輔以局部花瓣細筆描繪,展現用色層次豐富變化,淋漓寫意手法,更顯荷花風姿綽約。款識:荷塘清趣,泰安野耘孫家勤。庚午春\r\n鈐印:孫家勤(白文)。野耘(朱文)。孫家勤畫記。", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/c0c670e2a72f8c293fcf3f80669ac74b.jpg?itok=8HQSDFHR", "thumbMediumURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_medium/mcode/c0c670e2a72f8c293fcf3f80669ac74b.jpg?itok=RMV5dN_T", "thumbBigURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_big/mcode/c0c670e2a72f8c293fcf3f80669ac74b.jpg?itok=HBaw-AmH", "mfid": "c0c670e2a72f8c293fcf3f80669ac74b", "fileCreator": "孫家勤 | Sun, Chia-Chin", "rights": "國立歷史博物館", "rightsLogo": "https://openmuseum.tw/files/muse_portal/styles/square_thumbnail_100/public/default_rights/memder_non-01.png?itok=DszBk5va", "fileLicence": "著作權利所有-可用於本站提供的服務", "fileDisableLink": 0, "fileOversize": false, "background": "https://openmuseum.tw/files/muse_portal/muse_styles/w1920/mcode/c0c670e2a72f8c293fcf3f80669ac74b.jpg?itok=oyuCoq3t" }, "c61af41cc9787ec603e7b175adb34f96": { "oid": "c61af41cc9787ec603e7b175adb34f96", "fileType": "image", "fileURI": "https://openmuseum.tw/files/muse_portal/muse_styles/w1024/mcode/1da3b229c992ea1b3213b904c9bf9013.jpg?itok=-fVd2gLM", "level": "primary", "title": "水殿暗香 | Lotus in Ink", "desc": "", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/1da3b229c992ea1b3213b904c9bf9013.jpg?itok=V7X4pxOk", "thumbMediumURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_medium/mcode/1da3b229c992ea1b3213b904c9bf9013.jpg?itok=RoRdUNIG", "thumbBigURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_big/mcode/1da3b229c992ea1b3213b904c9bf9013.jpg?itok=skM0HV2a", "mfid": "1da3b229c992ea1b3213b904c9bf9013", "fileCreator": "張大千 | Chang, Dai-Chien", "rights": "國立歷史博物館", "rightsLogo": "https://openmuseum.tw/files/muse_portal/styles/square_thumbnail_100/public/default_rights/memder_non-01.png?itok=DszBk5va", "fileLicence": "著作權利所有-可用於本站提供的服務", "fileDisableLink": 1, "fileOversize": false, "background": "https://openmuseum.tw/files/muse_portal/muse_styles/w1920/mcode/1da3b229c992ea1b3213b904c9bf9013.jpg?itok=dWD4cU_t" }, "8871febe1bb7354dfe06d51ae6e00486": { "oid": "8871febe1bb7354dfe06d51ae6e00486", "fileType": "image", "fileURI": "https://openmuseum.tw/files/muse_portal/muse_styles/w1024/mcode/cdef305f24370f3bf378072c9a5285c3.jpg?itok=wgfrAdmF", "level": "primary", "title": "花卉 | Flowers", "desc": "吳平(1920–2019),字堪白,浙江餘姚人,獲中國畫學會金爵獎和中山文藝獎篆刻類等大獎,曾任故宮博物院書畫處長,為當代少數兼擅書法、繪畫、篆刻藝術家。 \r\n本幅荷花主題,花青藍彩畫荷葉、黑墨線寫草、淡赭色勾繪白色荷花,花青藍彩茵郁與荷花相應,大寫意用筆清新爽朗。款識:雲氣生豪端,黛色落研北,心手忽相忘,誰知有筆墨。甌香館詩七十五年丙寅春,堪白吳平。\r\n鈐印:吳平(白文)。堪白(朱文)。", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/cdef305f24370f3bf378072c9a5285c3.jpg?itok=sKniK3WF", "thumbMediumURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_medium/mcode/cdef305f24370f3bf378072c9a5285c3.jpg?itok=9qw2Mi3F", "thumbBigURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_big/mcode/cdef305f24370f3bf378072c9a5285c3.jpg?itok=B6n9OHZU", "mfid": "cdef305f24370f3bf378072c9a5285c3", "fileCreator": "吳平 | Wu, Ping", "rights": "國立歷史博物館", "rightsLogo": "https://openmuseum.tw/files/muse_portal/styles/square_thumbnail_100/public/default_rights/memder_non-04.png?itok=gq-PTcKL", "fileLicence": "著作權利所有-可用於本站提供的服務", "fileDisableLink": 0, "fileOversize": false, "background": "https://openmuseum.tw/files/muse_portal/muse_styles/w1920/mcode/cdef305f24370f3bf378072c9a5285c3.jpg?itok=QIcoaezv" }, "a479ee5621b65b6b6c025cbcb2e01381": { "oid": "a479ee5621b65b6b6c025cbcb2e01381", "fileType": "image", "fileURI": "https://openmuseum.tw/files/muse_portal/muse_styles/w1024/mcode/472e5b385de9f862455f56df81cc36b2.jpg?itok=VhnPTaOb", "level": "primary", "title": "紅白荷花 | Lotus", "desc": "吳昌碩(1844-1927),名俊,又名俊卿,字昌碩,浙江省孝豐縣鄣吳村(今湖州)人。晚清著名畫家,書法家、篆刻家,杭州西泠印社首任社長,與虛谷、蒲華、任伯年並稱「清末海派四傑」。\r\n吳昌碩作畫的理念是「畫氣不畫形」,畫荷兼用篆、隸、狂草筆意入畫,色酣墨飽,雄健古拙。設色大膽,別開生面,用色混而不髒,艷而不俗,自有一種古樸的美。作品重整體,尚氣勢,主張「奔放處不離法度,精微處照顧氣魄」。款識:破荷寫荷。庚戌冬日吳缶翁。\r\n鈐印:老缶(朱文)。聾(朱文)", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/472e5b385de9f862455f56df81cc36b2.jpg?itok=tlNwX1Ln", "thumbMediumURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_medium/mcode/472e5b385de9f862455f56df81cc36b2.jpg?itok=LYxBQ45I", "thumbBigURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_big/mcode/472e5b385de9f862455f56df81cc36b2.jpg?itok=1y4_9Nby", "mfid": "472e5b385de9f862455f56df81cc36b2", "fileCreator": "吳昌碩 | Wu, Chang-Shuo", "rights": "佛光山佛陀紀念館", "rightsLogo": "https://openmuseum.tw/files/muse_portal/styles/square_thumbnail_100/public/default_rights/memder_non-02.png?itok=fGKM5I0r", "fileLicence": "著作權利所有-可用於本站提供的服務", "fileDisableLink": 0, "fileOversize": false, "background": "https://openmuseum.tw/files/muse_portal/muse_styles/w1920/mcode/472e5b385de9f862455f56df81cc36b2.jpg?itok=etaCTKBJ" }, "19332c7dce42aecad92a55f52492f69f": { "oid": "19332c7dce42aecad92a55f52492f69f", "fileType": "image", "fileURI": "https://openmuseum.tw/files/muse_portal/muse_styles/w1024/mcode/9165ebabf09466778fe71673cb13cad2.jpg?itok=2mM2C66i", "level": "primary", "title": "蓮塘情趣 | Lotus Pond", "desc": "趙時棡(1874-1945),浙江鄞縣(今寧波)人,原名潤祥,字獻忱,號紉萇,後改名時棡,字叔孺,以字行,篆刻和金石學成就最高,擅長圓朱文及朱白文小璽,與吳昌碩齊名,被推為清末民國第一,近代以來在日本影響尤巨。\r\n趙叔儒山水、人物、花卉等中國畫的傳統題材無所不精,書法篆刻自立門戶,別具一格。以金石學入畫,擅於描繪蔬果花卉,水墨交融,兼得雅淳之趣。款識:蓮塘清趣。癸酉大暑作此趙叔儒。\r\n鈐印:鄞趙時棡字叔儒之印(白文)", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/9165ebabf09466778fe71673cb13cad2.jpg?itok=zBA52B4M", "thumbMediumURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_medium/mcode/9165ebabf09466778fe71673cb13cad2.jpg?itok=JMkohvuD", "thumbBigURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_big/mcode/9165ebabf09466778fe71673cb13cad2.jpg?itok=ZB2CE1KU", "mfid": "9165ebabf09466778fe71673cb13cad2", "fileCreator": "趙時棡(叔儒)\t| Chao, Shih-Kang", "rights": "佛光山佛陀紀念館", "rightsLogo": "https://openmuseum.tw/files/muse_portal/styles/square_thumbnail_100/public/default_rights/memder_non-03.png?itok=h0rkcAOw", "fileLicence": "著作權利所有-可用於本站提供的服務", "fileDisableLink": 0, "fileOversize": false, "background": "https://openmuseum.tw/files/muse_portal/muse_styles/w1920/mcode/9165ebabf09466778fe71673cb13cad2.jpg?itok=HrKNgPL3" }, "a40feb266784956b5981db05df19c814": { "oid": "a40feb266784956b5981db05df19c814", "fileType": "image", "fileURI": "https://openmuseum.tw/files/muse_portal/muse_styles/w1024/mcode/cf69903bc491c9a48c4c7c86cfbfe157.jpg?itok=fIKheocq", "level": "primary", "title": "和合二仙 | Immortals of Harmony and Union", "desc": "王震(1867-1938),字一亭,號白龍山人,浙江嘉興人。清末民國時期海上著名書畫家、實業家、傑出慈善家、社會活動家與宗教界名士。\r\n王震是海上畫派代表人物之一,其畫綜合了任伯年和吳昌碩的特點,自成一家,此幅描繪和合二仙形象鮮明,簡練自然,筆墨獨具,瀟灑質樸。款識:乙卯夏六月白龍山人王震。\r\n鈐印:千里之路不可扶以繩(朱文)。一亭大利(白文)。", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/cf69903bc491c9a48c4c7c86cfbfe157.jpg?itok=gUaRCvtC", "thumbMediumURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_medium/mcode/cf69903bc491c9a48c4c7c86cfbfe157.jpg?itok=wXTm3DED", "thumbBigURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_big/mcode/cf69903bc491c9a48c4c7c86cfbfe157.jpg?itok=hdjU2bX5", "mfid": "cf69903bc491c9a48c4c7c86cfbfe157", "fileCreator": "王震 | Wang, Zhen", "rights": "佛光山佛陀紀念館", "rightsLogo": "https://openmuseum.tw/files/muse_portal/styles/square_thumbnail_100/public/default_rights/memder_non-03.png?itok=h0rkcAOw", "fileLicence": "著作權利所有-可用於本站提供的服務", "fileDisableLink": 0, "fileOversize": false, "background": "https://openmuseum.tw/files/muse_portal/muse_styles/w1920/mcode/cf69903bc491c9a48c4c7c86cfbfe157.jpg?itok=VAEE1LTg" }, "1dc04ca77f24c752b611ebc40d048fb6": { "oid": "1dc04ca77f24c752b611ebc40d048fb6", "fileType": "image", "fileURI": "https://openmuseum.tw/files/muse_portal/muse_styles/w1024/mcode/e186f3c404f5345fb7e7db3f41c472c8.jpg?itok=uZi_M0KX", "level": "primary", "title": "蓮藕 | Lotus Root", "desc": "鄭曼青(1902-1975),浙江溫州永嘉人,有「五絕老人」的稱譽,五絕所指的是詩、書、畫、中醫和太極拳等五種絕藝,畫意中見書趣,畫中有詩,詩書畫為一體。款識:一本 蕖圖。蓮比君子,交持以贈,俠士所望,種發華一本 蕖峙中日之友誼,永期得相似。一九一八年孫中山先生以蓮花種子四顆贈與日本契友田中隆,田中有俠骨,孫先生甚器以重之,故看此贈含意甚深,非言可喻,今聞發花有期預寫此圖以誌其盛耳。庚子九秋永嘉鄭曼青時客臺灣。\r\n鈐印:玉井山人。永嘉鄭氏。後廣文先生千二百年生。", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/e186f3c404f5345fb7e7db3f41c472c8.jpg?itok=kY0s4ylh", "thumbMediumURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_medium/mcode/e186f3c404f5345fb7e7db3f41c472c8.jpg?itok=WLL_0jUp", "thumbBigURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_big/mcode/e186f3c404f5345fb7e7db3f41c472c8.jpg?itok=WO40v0_N", "mfid": "e186f3c404f5345fb7e7db3f41c472c8", "fileCreator": "鄭曼青 | Zheng, Man-Qing", "rights": "國立歷史博物館", "rightsLogo": "https://openmuseum.tw/files/muse_portal/styles/square_thumbnail_100/public/default_rights/memder_non-01.png?itok=DszBk5va", "fileLicence": "著作權利所有-可用於本站提供的服務", "fileDisableLink": 0, "fileOversize": false, "background": "https://openmuseum.tw/files/muse_portal/muse_styles/w1920/mcode/e186f3c404f5345fb7e7db3f41c472c8.jpg?itok=o5OPTh7n" }, "df2431d389b3d01e2de4bfbacaa3c21d": { "oid": "df2431d389b3d01e2de4bfbacaa3c21d", "fileType": "image", "fileURI": "https://openmuseum.tw/files/muse_portal/muse_styles/w1024/mcode/72b1ed0a307dc4684a0b6eb034ebd3ac.jpg?itok=8ugEcf83", "level": "primary", "title": "秋荷 | Autumn Lotus", "desc": "沈耀初(1908–1990)福建詔安人,號「自渡人」,精研書畫古籍、名家真跡,金石筆法入畫,擅長寫意花鳥山石,畫作深具中國文人畫及禪道精神。 本幅盤錯荷葉荷花主題,大範圍荷葉濃淡黑白對比,間以赭紅和花苞,婉轉精練趣味,整體古拙快意。款識:子愛蓮說以此花為隱君子,謂其花酷日炎炎中獨具清涼之品。不以世態移其趣也,稱之君子,誰曰不宜。辛亥夏仲揮汗寫此客謂尚有秋意,士渡人耀初時客霧峯并記。\r\n鈐印:春長好(白文)。士渡人(朱文)。耀初書畫(白文)。", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/72b1ed0a307dc4684a0b6eb034ebd3ac.jpg?itok=Dh8ZtbFn", "thumbMediumURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_medium/mcode/72b1ed0a307dc4684a0b6eb034ebd3ac.jpg?itok=ThaqUXAZ", "thumbBigURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_big/mcode/72b1ed0a307dc4684a0b6eb034ebd3ac.jpg?itok=9aysBvAK", "mfid": "72b1ed0a307dc4684a0b6eb034ebd3ac", "fileCreator": "沈耀初 | Shen, Yao-Chu", "rights": "國立歷史博物館", "rightsLogo": "https://openmuseum.tw/files/muse_portal/styles/square_thumbnail_100/public/default_rights/memder_non-03.png?itok=h0rkcAOw", "fileLicence": "著作權利所有-可用於本站提供的服務", "fileDisableLink": 0, "fileOversize": false, "background": "https://openmuseum.tw/files/muse_portal/muse_styles/w1920/mcode/72b1ed0a307dc4684a0b6eb034ebd3ac.jpg?itok=unAOqUPl" }, "2cbe76be5658c8fe5b6c763f25d6192f": { "oid": "2cbe76be5658c8fe5b6c763f25d6192f", "fileType": "image", "fileURI": "https://openmuseum.tw/files/muse_portal/muse_styles/w1024/mcode/3dda460352144cfadb59c803d18ef708.jpg?itok=T-AaT4ib", "level": "primary", "title": "花卉 | Lotus and the Full Moon", "desc": "黃磊生(1928-2011),生於廣東,擅花卉翎毛蟲魚走獸山水,技法創新,構圖命意賦色均有獨到之處,善西畫技法,形實兼重,雅俗共賞,趣味良多。\r\n幅月下荷花棲雀主題,內容明月、藍黑彩墨、白荷及茵郁薄霧相互掩映,六麻雀棲低斜而垂荷梗,大寫意彩墨濃淡,寓意「花好月圓」,並題款。款識:丙寅之春。嶺南黃磊生。\r\n鈐印:黃磊生(白文)。佛像(肖形印)。天地不老四季皆春(朱文)", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/3dda460352144cfadb59c803d18ef708.jpg?itok=ZIZY1KiA", "thumbMediumURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_medium/mcode/3dda460352144cfadb59c803d18ef708.jpg?itok=kF9_7HLO", "thumbBigURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_big/mcode/3dda460352144cfadb59c803d18ef708.jpg?itok=PU13Ut31", "mfid": "3dda460352144cfadb59c803d18ef708", "fileCreator": "黃磊生 | Huang, Lui-Sang", "rights": "國立歷史博物館", "rightsLogo": "https://openmuseum.tw/files/muse_portal/styles/square_thumbnail_100/public/default_rights/memder_non-04.png?itok=gq-PTcKL", "fileLicence": "著作權利所有-可用於本站提供的服務", "fileDisableLink": 0, "fileOversize": false, "background": "https://openmuseum.tw/files/muse_portal/muse_styles/w1920/mcode/3dda460352144cfadb59c803d18ef708.jpg?itok=rryKXrC9" }, "c5284145394197eec84e4821e0f1a461": { "oid": "c5284145394197eec84e4821e0f1a461", "fileType": "image", "fileURI": "https://openmuseum.tw/files/muse_portal/muse_styles/w1024/mcode/2e1708b82f2e5307172be843ba10d8d8.jpg?itok=CFHvmzCw", "level": "primary", "title": "荷花 | Lotus", "desc": "紙本 水墨\n96 x 41 cm\n1969\n歐豪年文化基金會典藏\n\n款識:水一重重玉一重,更無妖色媚西風,雖然物外能為素,又恐人間只愛紅。己酉夏六月晨起小坐少昂漫興。\n鈐印:趙(朱文)。少昂六十後作(白文)。我之為我自有我在(朱文)。\n\n趙少昂(1905-1998)為嶺南畫派大師高奇峰(1889-1933)的關門弟子,天風七子之一。山水、人物、花鳥、走獸兼長,但以花鳥畫為最精,尤其是後期的花鳥畫,非常生機靈動、逼肖傳神。\n本幅畫作水墨氤氳,用筆情感豐富。畫中枯萎的荷葉勁挺,蜻蜓駐於荷瓣之上隨風搖曳,筆法洒脫有力,滲透著嶺南淡雅的文人氣息。", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/2e1708b82f2e5307172be843ba10d8d8.jpg?itok=VqxGdfuu", "thumbMediumURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_medium/mcode/2e1708b82f2e5307172be843ba10d8d8.jpg?itok=59bFWjuq", "thumbBigURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_big/mcode/2e1708b82f2e5307172be843ba10d8d8.jpg?itok=nqOKyuDS", "background": "https://openmuseum.tw/files/muse_portal/muse_styles/w1920/mcode/2e1708b82f2e5307172be843ba10d8d8.jpg?itok=ZQZVPfVw", "mfid": "2e1708b82f2e5307172be843ba10d8d8", "fileCreator": "趙少昂 Chao Shao-An", "rights": "歐豪年文化基金會", "rightsLogo": "https://openmuseum.tw/files/muse_portal/styles/square_thumbnail_100/public/default_rights/memder_non-02.png?itok=fGKM5I0r", "fileLicence": "著作權利所有-可用於本站提供的服務", "fileDisableLink": "0", "fileOversize": false }, "ca6298b7fa6528057103c9fd0ad482c0": { "oid": "ca6298b7fa6528057103c9fd0ad482c0", "fileType": "image", "fileURI": "https://openmuseum.tw/files/muse_portal/muse_styles/w1024/mcode/44274afe7cc797083378a377d649f6cf.jpg?itok=4uRuwGBj", "level": "primary", "title": "荷塘月色 | Moonlight Over The Lotus Pond", "desc": "歐豪年(1935-)生於廣東省茂名縣,出身嶺南世家,其繪畫題材兼善畫花鳥、山水、人物、畜獸,對書法與詩文亦多有研究,藝術成就多元而豐富。\r\n本幅畫作細膩描繪荷塘月色景致,含蓄委婉抒發畫家的思緒變化,得靜出靜,以現實情景書寫,意境更高於現實。款識:月色荷塘夕景明,文章高年朱自清,今欣池館又新綠,合有畫圖紀此情。甲午歲始歐介豪年並賦句。甲午歲始,歐介豪年並賦句。\r\n鈐印:豪年長壽(白文)。白首名山自頡頏(白文)", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/44274afe7cc797083378a377d649f6cf.jpg?itok=jiI7ew3s", "thumbMediumURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_medium/mcode/44274afe7cc797083378a377d649f6cf.jpg?itok=fjAhFiKQ", "thumbBigURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_big/mcode/44274afe7cc797083378a377d649f6cf.jpg?itok=FOfUgc4s", "mfid": "44274afe7cc797083378a377d649f6cf", "fileCreator": "歐豪年 | Au, Ho-Nien", "rights": "歐豪年文化基金會", "rightsLogo": "https://openmuseum.tw/files/muse_portal/styles/square_thumbnail_100/public/default_rights/memder_non-04.png?itok=gq-PTcKL", "fileLicence": "著作權利所有-可用於本站提供的服務", "fileDisableLink": 0, "fileOversize": false, "background": "https://openmuseum.tw/files/muse_portal/muse_styles/w1920/mcode/44274afe7cc797083378a377d649f6cf.jpg?itok=ATSo6g7c" }, "b5bc43bdb23f84eb64d7a792e22ea83d": { "oid": "b5bc43bdb23f84eb64d7a792e22ea83d", "fileType": "image", "fileURI": "https://openmuseum.tw/files/muse_portal/muse_styles/w1024/mcode/af3fea7e6d096d0a17754ee4c2695a2d.jpg?itok=EiwWVj1K", "level": "primary", "title": "秋塘白鷺 | Egret in Autum", "desc": "李源海(1948-),臺灣苗栗人,拜楊善深為師,為「春風草堂」的入室弟子與唐墨畫友。創作重寫生、重線條、重神態、重氣韻,不偏執一隅,展現大自然生機。\r\n畫面描寫荷塘白鷺逸趣,展現嶺南墨色融合之美,一筆一畫間無不透露出生機,以開闊的心胸去探索藝術的內涵與意趣。款識:乙未初冬於三灣淨心草堂源海。\r\n鈐印:李(白文)", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/af3fea7e6d096d0a17754ee4c2695a2d.jpg?itok=QGnCxc9T", "thumbMediumURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_medium/mcode/af3fea7e6d096d0a17754ee4c2695a2d.jpg?itok=wZ55oNGI", "thumbBigURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_big/mcode/af3fea7e6d096d0a17754ee4c2695a2d.jpg?itok=HRRr_OMP", "mfid": "af3fea7e6d096d0a17754ee4c2695a2d", "fileCreator": "李源海 | Li, Yuan-Hai", "rights": "嶺南美術館", "rightsLogo": "https://openmuseum.tw/files/muse_portal/styles/square_thumbnail_100/public/default_rights/memder_non-05.png?itok=0rVBS4da", "fileLicence": "著作權利所有-可用於本站提供的服務", "fileDisableLink": 0, "fileOversize": false, "background": "https://openmuseum.tw/files/muse_portal/muse_styles/w1920/mcode/af3fea7e6d096d0a17754ee4c2695a2d.jpg?itok=SuExoV2z" }, "d83b50805256606b10403d4ec76e4b75": { "oid": "d83b50805256606b10403d4ec76e4b75", "fileType": "image", "fileURI": "https://openmuseum.tw/files/muse_portal/muse_styles/w1024/mcode/0d9aa154754e44ea3313686e12e1d538.jpg?itok=s2BT-mFS", "level": "primary", "title": "荷風紅蜓 | Lotus and Dragonfly", "desc": "紙本 水墨設色\n98cm×36cm\n1985\n華岡博物館典藏\n\n款識:丙寅清夏定夫漫興於清平樓。\n鈐印:柏巖(白文)。定夫之鈢(朱文)。清平樓主(白文)。\n\n邱定夫(1947-)生於臺灣苗栗,中國文化大學美術系畢業,兼任於文大美術系。師承嶺南畫派歐豪年教授。用筆及渲染方法接近寫意,兼擅山水造境,能融合古今,兼博東西方技法,筆墨深厚。\n本幅作品構圖絕奇,張力十足,筆法圓熟洗鍊,荷葉墨色飽滿,與墨筆勾勒之荷花,對印成趣,格調不俗,典雅清麗。", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/0d9aa154754e44ea3313686e12e1d538.jpg?itok=DVk-6CbA", "thumbMediumURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_medium/mcode/0d9aa154754e44ea3313686e12e1d538.jpg?itok=yVqcBHeW", "thumbBigURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_big/mcode/0d9aa154754e44ea3313686e12e1d538.jpg?itok=pvufAQkf", "background": "https://openmuseum.tw/files/muse_portal/muse_styles/w1920/mcode/0d9aa154754e44ea3313686e12e1d538.jpg?itok=jBlfFiGO", "mfid": "0d9aa154754e44ea3313686e12e1d538", "fileCreator": "邱定夫 Qiu Ding-Fu", "rights": "華岡博物館", "rightsLogo": "https://openmuseum.tw/files/muse_portal/styles/square_thumbnail_100/public/default_rights/memder_non-04.png?itok=gq-PTcKL", "fileLicence": "著作權利所有-可用於本站提供的服務", "fileDisableLink": "0", "fileOversize": false }, "80168daebaf7bf03f2582c5db93752dd": { "oid": "80168daebaf7bf03f2582c5db93752dd", "fileType": "image", "fileURI": "https://openmuseum.tw/files/muse_portal/muse_styles/w1024/mcode/b5f388e4a1f6285c8ed4da4765110dca.jpg?itok=_a0tGeV8", "level": "primary", "title": "儷影成雙知香遠 | A Bird Couple at Lotus Pond", "desc": "黃光男, 1944年生於高雄,曾任台北市立美術館館長、國立歷史博物館館長和國立台灣藝術大學校長等。專長水墨創作、中國美術理論、博物館學行政…等。 本幅夏荷清新,荷花盛開,蓮蓬中橫出,兩隻小鳥相依,儷影成雙,氣氛氤氳,展現水墨畫之獨特韻致。款識:儷影成雙知香遠。辛酉秋黃光男於高雄澄清湖之畔。\r\n鈐印:黃光男印(白文)。兩極畫室(朱文)。塵囂不染明哲客(朱文)。 ", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/b5f388e4a1f6285c8ed4da4765110dca.jpg?itok=MrguyWhg", "thumbMediumURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_medium/mcode/b5f388e4a1f6285c8ed4da4765110dca.jpg?itok=rAN22Y60", "thumbBigURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_big/mcode/b5f388e4a1f6285c8ed4da4765110dca.jpg?itok=ZexVH1Zf", "mfid": "b5f388e4a1f6285c8ed4da4765110dca", "fileCreator": "黃光男 | Huang, Kuang-Nan", "rights": "國立歷史博物館", "rightsLogo": "https://openmuseum.tw/files/muse_portal/styles/square_thumbnail_100/public/default_rights/memder_non-01.png?itok=DszBk5va", "fileLicence": "著作權利所有-可用於本站提供的服務", "fileDisableLink": 0, "fileOversize": false, "background": "https://openmuseum.tw/files/muse_portal/muse_styles/w1920/mcode/b5f388e4a1f6285c8ed4da4765110dca.jpg?itok=X9lGuec4" }, "80f36b51b8f8b196466bc512ae67285c": { "oid": "80f36b51b8f8b196466bc512ae67285c", "fileType": "image", "fileURI": "https://openmuseum.tw/files/muse_portal/muse_styles/w1024/mcode/36bfea935eb8ba15671c06d9d8fa384c.jpg?itok=6ANpoDLP", "level": "primary", "title": "秋塘鵜鶘 | Pelican in Lotus Pond after Autumn Drizzles", "desc": "溥心畬 \nPu Xin-Yu\n紙本 水墨設色\n56 x29 cm \n國立歷史博物館典藏\n\n款識:秋塘新雨過,波際響鵜鶘。心畬。\n鈐印:省心齋(朱文)。溥儒(白文)。\n\n溥儒(1896–1963),原名愛新覺羅•溥儒,字心畬,號西山逸士,為國民政府渡臺後藝術界稱「渡海三家」之一。溥心畬為清朝末代皇族,早年受清宮貴冑教育,性喜文藻,自述中年隱居山林寺院時始透過臨摹皇家珍藏畫卷習畫。繪畫兼有重意境抒發之南宗,亦有宋代馬、夏之北宗風格,能以篆籀畫山水,然其間鉤斫精熟文雅,於筆墨經營中自見風骨。\n畫中荷花與鵜鶘身軀以淡墨勾勒,荷蓬、荷葉與鵜鶘頭部以濃墨暈染而成,線條靈動。\n\n款識:秋塘新雨過,波際響鵜鶘。心畬。\n鈐印:省心齋(朱文)。溥儒(白文)", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/36bfea935eb8ba15671c06d9d8fa384c.jpg?itok=QYUTkfdh", "thumbMediumURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_medium/mcode/36bfea935eb8ba15671c06d9d8fa384c.jpg?itok=QqszAjK8", "thumbBigURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_big/mcode/36bfea935eb8ba15671c06d9d8fa384c.jpg?itok=ik2rt0tK", "background": "https://openmuseum.tw/files/muse_portal/muse_styles/w1920/mcode/36bfea935eb8ba15671c06d9d8fa384c.jpg?itok=B7BfkbkS", "mfid": "36bfea935eb8ba15671c06d9d8fa384c", "fileCreator": "溥心畬 | Pu, Xin-Yu", "rights": "國立歷史博物館", "rightsLogo": "https://openmuseum.tw/files/muse_portal/styles/square_thumbnail_100/public/default_rights/memder_non-01.png?itok=DszBk5va", "fileLicence": "著作權利所有-可用於本站提供的服務", "fileDisableLink": "0", "fileOversize": false }, "8e1f82b4d2b867f7dbcd574665588ccf": { "oid": "8e1f82b4d2b867f7dbcd574665588ccf", "fileType": "image", "fileURI": "https://openmuseum.tw/files/muse_portal/muse_styles/w1024/mcode/0289fc798d64141bce90ec08786a0261.jpg?itok=qyKNbfjw", "level": "primary", "title": "錦鯉 | Koi Fish", "desc": "王師子(1885-1950)原名偉,字師梅,四十歲後改名師子,一度寄居上海麥加里,因諧音別署墨稼居士,江蘇句容人。歷任上海美專、中國藝專、新華藝專等國畫教授。治藝謹嚴,花、鳥、魚、蟲,注意寫生。\n王氏擅畫鯉魚,此幅描繪荷塘游魚悠閒情景,用筆用色,施墨佈局,跌宕猶勁,艷而不俗,麗而不浮。款識:雲邊何處消息域上高樓望遠錦帆千里便寫蠻箋囑付綠波錦鯉病酒心清共雅賞藕花香氣。甲申夜夏師子王偉。\n鈐印:句容王偉長壽(白文)。墨翁六十後書畫(朱文)。", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/0289fc798d64141bce90ec08786a0261.jpg?itok=dJLN8b7j", "thumbMediumURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_medium/mcode/0289fc798d64141bce90ec08786a0261.jpg?itok=Ma3NMxoW", "thumbBigURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_big/mcode/0289fc798d64141bce90ec08786a0261.jpg?itok=8jyrxCAl", "background": "https://openmuseum.tw/files/muse_portal/muse_styles/w1920/mcode/0289fc798d64141bce90ec08786a0261.jpg?itok=A7r95-Ht", "mfid": "0289fc798d64141bce90ec08786a0261", "fileCreator": "王師子 | Wang, Shih-Tzu", "rights": "佛光山佛陀紀念館", "rightsLogo": "https://openmuseum.tw/files/muse_portal/styles/square_thumbnail_100/public/default_rights/memder_non-04.png?itok=gq-PTcKL", "fileLicence": "著作權利所有-僅能瀏覽", "fileDisableLink": "0", "fileOversize": false }, "1284aafdd5d2b7f0a97a823b85deac4e": { "oid": "1284aafdd5d2b7f0a97a823b85deac4e", "fileType": "image", "fileURI": "https://openmuseum.tw/files/muse_portal/muse_styles/w1024/mcode/ca47650584b54211b187db92a872b451.jpg?itok=21gvIFIL", "level": "primary", "title": "「荷花」摺扇 | Lotus on the Folding Fan", "desc": "江明賢,1942年生於台中,畢業於台灣師範大學美術系,畢業後返校擔任美術系教授、系主任、美術研究所所長。創作從寫生出發,加入西方現代藝術的切割重組手法,及拓、印、潑、洒的技法,但始終保持一種高度的人文意境與歷史詩性。\r\n本件扇正面繪荷塘,一潔白荷花扇面下方緩緩舒展,右方一含苞,左方墨色荷葉。摺扇自古為文人墨士貼身配物,除夏日搧風引涼,亦藉此展現個人品味與修養,為文人一種身份、地位、品位的象徵。款識:荷葉生時春恨生,荷葉枯時秋恨成。丙子長夏江明賢隨筆。\r\n鈐印:江(白文)。明賢(朱文)。吉祥(白文)", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/ca47650584b54211b187db92a872b451.jpg?itok=Y08ekgmY", "thumbMediumURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_medium/mcode/ca47650584b54211b187db92a872b451.jpg?itok=fRITsnK0", "thumbBigURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_big/mcode/ca47650584b54211b187db92a872b451.jpg?itok=R-Gq03mC", "mfid": "ca47650584b54211b187db92a872b451", "fileCreator": "江明賢 | Chiang, Ming-Shyan", "rights": "國立歷史博物館", "rightsLogo": "https://openmuseum.tw/files/muse_portal/styles/square_thumbnail_100/public/default_rights/memder_non-03.png?itok=h0rkcAOw", "fileLicence": "著作權利所有-可用於本站提供的服務", "fileDisableLink": 0, "fileOversize": false, "background": "https://openmuseum.tw/files/muse_portal/muse_styles/w1920/mcode/ca47650584b54211b187db92a872b451.jpg?itok=6hi_287y" }, "7ad88a45afbfe53eef30e908cfde8c0d": { "oid": "7ad88a45afbfe53eef30e908cfde8c0d", "fileType": "image", "fileURI": "https://openmuseum.tw/files/muse_portal/muse_styles/w1024/mcode/5e4d654eeb24ffc17a8eb84043ae9b1d.jpg?itok=n4uJPrbP", "level": "primary", "title": "出淤泥而不染 | Rising Unsullied from the Mud", "desc": "李奇茂(1925–2019),生於安徽渦陽,勤於速寫、素描,人物畫根底深厚,曾創作百幅「國父畫傳」及「史蹟」題材描繪。 \r\n鍾正山(1935-)生於馬來西亞,祖籍廣東梅縣。畢業於新加坡南洋藝術專科學院藝術教育系,美國舊金山大學公共行政管理系碩士。先後創辦了5所藝術學院,對馬來西亞現代藝術教育貢獻卓著。本幅畫作由李奇茂與鍾正山二位畫家合作,筆墨沉穩,畫面錯落有致,畫風清逸高雅,展現蓮池自然清幽之景。款識:鍾正山植荷佛光山香天下。癸巳之春李奇茂讀畫心得。\r\n出淤泥而不染。癸巳春寫於佛光山。正山。\r\n鈐印:正山(白文)。", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/5e4d654eeb24ffc17a8eb84043ae9b1d.jpg?itok=mg29lqOv", "thumbMediumURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_medium/mcode/5e4d654eeb24ffc17a8eb84043ae9b1d.jpg?itok=JXGnYLZn", "thumbBigURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_big/mcode/5e4d654eeb24ffc17a8eb84043ae9b1d.jpg?itok=aAy4qYjq", "mfid": "5e4d654eeb24ffc17a8eb84043ae9b1d", "fileCreator": "李奇茂/鍾正山 | Lee, Chi-Mao/ Chung, Chen-Sun", "rights": "佛光山佛陀紀念館", "rightsLogo": "https://openmuseum.tw/files/muse_portal/styles/square_thumbnail_100/public/default_rights/memder_non-01.png?itok=DszBk5va", "fileLicence": "著作權利所有-可用於本站提供的服務", "fileDisableLink": 0, "fileOversize": false, "background": "https://openmuseum.tw/files/muse_portal/muse_styles/w1920/mcode/5e4d654eeb24ffc17a8eb84043ae9b1d.jpg?itok=ybDQrir4" }, "32ce2167072fe66c0c919f500518fff4": { "oid": "32ce2167072fe66c0c919f500518fff4", "fileType": "image", "fileURI": "https://openmuseum.tw/files/muse_portal/muse_styles/w1024/mcode/c936c50dcb23159bddb6247c89bd5be3.jpg?itok=i8Dyj0lf", "level": "primary", "title": "荷花 | Lotus", "desc": "常玉(1901–1966),生於中國四川順慶,簡潔有力線條、造形、輪廓呈現個人風格,繪畫造形簡練、色彩單純,裸女、花卉、有動物風景為創作主題。 本幅黑色線條勾勒白荷,具傳統水墨,荷葉大塊銘黃,花莖排列疏落,彷彿微風中搖曳,和諧安靜,構圖簡潔嚴謹,表現荷花高雅姿態。款識:(無)\r\n鈐印:(無)", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/c936c50dcb23159bddb6247c89bd5be3.jpg?itok=TFf2hHz9", "thumbMediumURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_medium/mcode/c936c50dcb23159bddb6247c89bd5be3.jpg?itok=bnEkN1Xl", "thumbBigURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_big/mcode/c936c50dcb23159bddb6247c89bd5be3.jpg?itok=FNhshDvd", "mfid": "c936c50dcb23159bddb6247c89bd5be3", "fileCreator": "", "rights": "國立歷史博物館", "rightsLogo": "https://openmuseum.tw/files/muse_portal/styles/square_thumbnail_100/public/default_rights/memder_non-03.png?itok=h0rkcAOw", "fileLicence": "公眾領域標章(Public Domain Mark)", "fileDisableLink": 0, "fileOversize": false, "background": "https://openmuseum.tw/files/muse_portal/muse_styles/w1920/mcode/c936c50dcb23159bddb6247c89bd5be3.jpg?itok=dbB8Kmxt" }, "0627ba47c5adc1ffde2f77dd64f434db": { "oid": "0627ba47c5adc1ffde2f77dd64f434db", "fileType": "image", "fileURI": "https://openmuseum.tw/files/muse_portal/muse_styles/w1024/mcode/93622a1f79c797b7614426ce57689b72.jpg?itok=rT4oy0np", "level": "primary", "title": "荷 | Lotus", "desc": "常玉(1901–1966),生於中國四川順慶,簡潔有力線條、造形、輪廓呈現個人風格,繪畫造形簡練、色彩單純,裸女、花卉、有動物風景為創作主題。 本幅西方媒材繪荷,盆景荷花,姿態秀麗柔美,造形優雅,枝梗精練線條一筆畫成,流暢有力,整體設色高雅。款識:(無)\r\n鈐印:(無)", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/93622a1f79c797b7614426ce57689b72.jpg?itok=YO7BFadt", "thumbMediumURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_medium/mcode/93622a1f79c797b7614426ce57689b72.jpg?itok=kVgAZi0w", "thumbBigURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_big/mcode/93622a1f79c797b7614426ce57689b72.jpg?itok=2_o_-pWv", "mfid": "93622a1f79c797b7614426ce57689b72", "fileCreator": "常玉 | San, Yu", "rights": "國立歷史博物館", "rightsLogo": "https://openmuseum.tw/files/muse_portal/styles/square_thumbnail_100/public/default_rights/memder_non-02.png?itok=fGKM5I0r", "fileLicence": "著作權利所有-可用於本站提供的服務", "fileDisableLink": 0, "fileOversize": false, "background": "https://openmuseum.tw/files/muse_portal/muse_styles/w1920/mcode/93622a1f79c797b7614426ce57689b72.jpg?itok=drUHxMjS" }, "c5632cae4338bc0707c5651212bf00b8": { "oid": "c5632cae4338bc0707c5651212bf00b8", "fileType": "image", "fileURI": "https://openmuseum.tw/files/muse_portal/muse_styles/w1024/mcode/0204bedd7baf2349b893d95fd5c40c83.jpg?itok=joUKstaQ", "level": "primary", "title": "荷 | Lotus", "desc": "趙二呆(1916–1995),本名同和,字中平,江蘇鎮江人,畫無師承,無固定技法與素材,不受傳統或潮流影響,畫風寫實轉寫意,畫作融合書法,任筆墨遊走,自成一格。 本幅描繪荷花,濃淡有致圓弧荷葉,墨色濕潤淋漓,荷葉下方數道淡墨荷莖,由長至短,無根的荷留白,構圖簡約輕逸,呈現詩意,激發想像。款識:二呆。\r\n鈐印:呆呆(白文)。", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/0204bedd7baf2349b893d95fd5c40c83.jpg?itok=pjn-ZZ4T", "thumbMediumURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_medium/mcode/0204bedd7baf2349b893d95fd5c40c83.jpg?itok=cFwQznNG", "thumbBigURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_big/mcode/0204bedd7baf2349b893d95fd5c40c83.jpg?itok=SKQ6nAeP", "mfid": "0204bedd7baf2349b893d95fd5c40c83", "fileCreator": "趙二呆 | Chau, Er-Dai", "rights": "國立歷史博物館", "rightsLogo": "https://openmuseum.tw/files/muse_portal/styles/square_thumbnail_100/public/default_rights/memder_non-03.png?itok=h0rkcAOw", "fileLicence": "著作權利所有-可用於本站提供的服務", "fileDisableLink": 0, "fileOversize": false, "background": "https://openmuseum.tw/files/muse_portal/muse_styles/w1920/mcode/0204bedd7baf2349b893d95fd5c40c83.jpg?itok=7GwREHXd" }, "38af2d9ba34e12aaa4c8c2de03d50406": { "oid": "38af2d9ba34e12aaa4c8c2de03d50406", "fileType": "image", "fileURI": "https://openmuseum.tw/files/muse_portal/muse_styles/w1024/mcode/6da476e8f3fc7bc174d563add5d40195.jpg?itok=QkiKgzMu", "level": "primary", "title": "荷花 | Lotus", "desc": "管執中,筆名江沙,1931年生於中國河南經扶,其繪畫筆在意先、大片墨色塊營造空間感、線條化約為象徵符號,富有概念抽象的形象表達。 本幅畫心大面積、略淡墨色色塊描繪湖面,濃墨與綠彩精簡荷葉形體與輪廓,綠彩繪出繽紛雨點。大片留白與墨塊,間點綴荷葉,構圖疏落有致不凌亂,充滿墨趣。款識:管執中。1991。\n鈐印:執中(朱文)。中(肖形)", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/6da476e8f3fc7bc174d563add5d40195.jpg?itok=ioPGheLl", "thumbMediumURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_medium/mcode/6da476e8f3fc7bc174d563add5d40195.jpg?itok=nkp4G_Zu", "thumbBigURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_big/mcode/6da476e8f3fc7bc174d563add5d40195.jpg?itok=fciHVrzr", "background": "https://openmuseum.tw/files/muse_portal/muse_styles/w1920/mcode/6da476e8f3fc7bc174d563add5d40195.jpg?itok=kt9BJpX5", "mfid": "6da476e8f3fc7bc174d563add5d40195", "fileCreator": "管執中 |", "rights": "國立歷史博物館", "rightsLogo": "https://openmuseum.tw/files/muse_portal/styles/square_thumbnail_100/public/default_rights/memder_non-03.png?itok=h0rkcAOw", "fileLicence": "著作權利所有-可用於本站提供的服務", "fileDisableLink": "0", "fileOversize": false }, "87bf099fb1809720919c2d64d4c8fb36": { "oid": "87bf099fb1809720919c2d64d4c8fb36", "fileType": "image", "fileURI": "https://openmuseum.tw/files/muse_portal/muse_styles/w1024/mcode/ded77c0f247a14fb720c48ce3a3436b6.jpg?itok=k0y2UGUR", "level": "primary", "title": "蓮影 | Shadows of Lotuses", "desc": "席慕蓉1943年生於重慶,成長於台灣,祖籍蒙古。畢業於國立台灣師範大學及布魯塞爾皇家藝術學院,曾任教新竹師院、東海大學美術系,專攻油畫兼習版畫,荷花則是她做喜愛的創作主題。以現代散文和詩作知名。\n本件化作主要表現荷葉及池中產生的光影,僅以荷葉數片布局在畫面的不同位置形成構圖,並利用荷桿的垂直線條加以平衡,以此鋪陳水面的荷影,荷葉以沉靜的藍綠色表現,其他則運用大量不同深淺的棕色,增添作品靜謐的詩意。款識:J. HSI,1980。\n鈐印:(無)", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/ded77c0f247a14fb720c48ce3a3436b6.jpg?itok=84FEIx36", "thumbMediumURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_medium/mcode/ded77c0f247a14fb720c48ce3a3436b6.jpg?itok=EErC8kDC", "thumbBigURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_big/mcode/ded77c0f247a14fb720c48ce3a3436b6.jpg?itok=horKRi1F", "background": "https://openmuseum.tw/files/muse_portal/muse_styles/w1920/mcode/ded77c0f247a14fb720c48ce3a3436b6.jpg?itok=RSBFmcuu", "mfid": "ded77c0f247a14fb720c48ce3a3436b6", "fileCreator": "席慕蓉 | Hsi, Mu-Jung", "rights": "國立歷史博物館", "rightsLogo": "https://openmuseum.tw/files/muse_portal/styles/square_thumbnail_100/public/default_rights/memder_non-05.png?itok=0rVBS4da", "fileLicence": "著作權利所有-可用於本站提供的服務", "fileDisableLink": "0", "fileOversize": false }, "4f9b8a994e718c8172cf0a93849f6f02": { "oid": "4f9b8a994e718c8172cf0a93849f6f02", "fileType": "image", "fileURI": "https://openmuseum.tw/files/muse_portal/muse_styles/w1024/mcode/61b7738c8a3c3d2b04d5b1cb9a01028a.jpg?itok=Rv2u0ZSq", "level": "primary", "title": "意荷 | Lotus", "desc": "蘇憲法 Su Hsien-Fa\n油彩 畫布\n80 x 116.5 cm\n2017\n國立歷史博物館典藏\n\n款識:蘇憲法 2017\n\n蘇憲法(1948-)台灣嘉義布袋人 ,國立台灣師範大學美術研究所碩士,曾任國立台灣師範大學美術系主任兼研究所所長、英國London Metropolitan University 訪問學者,現為國立台灣師範大學美術系名譽教授、台南市美術館董事長。\n本幅畫作描寫荷塘意象,筆法細緻,肌理雄渾,畫境豐盈卻又靜寂,物性又兼具詩意,展現繪畫純粹、對比的意象宇宙,在西方油彩裡開創獨具一格之東方人文圖景。", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/61b7738c8a3c3d2b04d5b1cb9a01028a.jpg?itok=5hEvKCXp", "thumbMediumURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_medium/mcode/61b7738c8a3c3d2b04d5b1cb9a01028a.jpg?itok=miPgJYyy", "thumbBigURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_big/mcode/61b7738c8a3c3d2b04d5b1cb9a01028a.jpg?itok=xQ5B9GO1", "background": "https://openmuseum.tw/files/muse_portal/muse_styles/w1920/mcode/61b7738c8a3c3d2b04d5b1cb9a01028a.jpg?itok=KPpF3mKf", "mfid": "61b7738c8a3c3d2b04d5b1cb9a01028a", "fileCreator": "蘇憲法 Su Hsien-Fa", "rights": "國立歷史博物館", "rightsLogo": "https://openmuseum.tw/files/muse_portal/styles/square_thumbnail_100/public/default_rights/memder_non-04.png?itok=gq-PTcKL", "fileLicence": "著作權利所有-可用於本站提供的服務", "fileDisableLink": "0", "fileOversize": false } }, "title": "誌謝", "desc": "請輸入誌謝內容", "weight": 32 } }
佛光山佛陀紀念館國立歷史博物館林秋芳、陳勇成